The photo just gave me an idea for a project, probably already been tried.  
What if one were to decorate/furnish a house or apartment with life-size 
photos of the objects as opposed to the objects themselves?

You kitchen cabinet is a start.  Photos would be displayed in the normal 
position and expected orientation of the the object.  A sofa photograph 
would be put on the wall where the sofa goes, whereas a coffee table photo 
in front of it would lay flat on the floor.

Kind of a weird 2-D interior.


Tom C.


>From: Godfrey DiGiorgi <[EMAIL PROTECTED]>
>Reply-To: Pentax-Discuss Mail List <[email protected]>
>To: DUG <[EMAIL PROTECTED]>, PDML List <[email protected]>,PAW 
><[EMAIL PROTECTED]>, SeePhoto Talk <[EMAIL PROTECTED]>
>Subject: Re: PAW 2007 - 06 - GDG
>Date: Tue, 13 Feb 2007 13:00:14 -0800
>
>Thanks for all the comments!
>
>Godfrey
>
>
> >> http://homepage.mac.com/ramarren/photo/PAW7/06.htm
>
>From: Mark Pope <[EMAIL PROTECTED]>
> > that's a lovely shot.  I think you've succeeded in making both a
> > beautiful and serene image.  Interestingly, if the silvery
> > thingummyjig is taken out of the shot, it doesn't work.
>
>From: Chris Saganich <[EMAIL PROTECTED]>
> > I'm not familiar with Sugimoto's work but I like your emulation.
> > My only criticism has to do with geometry.  A more centered
> > approach  INMHO would increase the effect.  And perhaps a touch
> > lighter?
>
>From: Rick Womer <[EMAIL PROTECTED]>
> > Interesting, Godfrey, but it needs more playing with,
> > methinks.  More contrast, maybe; some more distinct
> > shadows; some cropping?
>
>From: ann sanfedele <[EMAIL PROTECTED]>
> > Hmmm - give the sort of thing you are going for here (I think:) )
> > I'd go
> > for absolutely centering the cabinet
> > from top to bottom.  Also, I found the little dab of paint above the
> > left knob on cabinet distracting - but I guess
> > it would be "cheating" to clone it out  - and then it wouldn't be as
> > much what it is as it is.
> > (huh? whaddid she say???)
>
>From: Paul Stenquist <[EMAIL PROTECTED]>
> > Close. I find it intriguing and well rendered. I wonder if it wouldn't
> > be better with most of the left door and much of the empt area at top
> > cropped out. That would bring the shadow play more center stage, so to
> > speak.
>
>From: Paul Dunderdale <[EMAIL PROTECTED]>
> > Beautiful simplicity, but maybe a bit busy compared with - say -
> > the 'Caribbean Sea', or 'Pacific Ocean'....  ;-)
> > Nice work, Godfrey.  Sparse Compositions 2 on the way?
> > Thanks for the heads-up on Sugimoto - http://www.hirshhorn.si.edu/
> > sugimoto/photography.htm gives a lot of pause for thought.
>
>From: [EMAIL PROTECTED]
> > I get what you going  for, but it doesn't ring my chimes. I find it
> > too
> > symmetrical, and I think it  needs something more than the shiny
> > cup on top, that
> > one can barely see, as a  center of interest.
> >
> > Uh, can I be that honest?
>
>From: Peter Williams <[EMAIL PROTECTED]>
> > Like a three chord rock song, simple but appealling.
> > Three shades of grey.
>
>From: Bruce Dayton <[EMAIL PROTECTED]>
> > Well, it may be bald faced or even bold faced, but rather like it.
> > Nice shot and rendering!
>
>
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