I'm encouraged they've liked as many of mine as they have.

Doesn't mean I think less of the images they've rejected.
But it would be nice to have some idea of the cause for rejection.

In every photo contest I've entered, when I could talk to the judges, I've 
found they had very definite reasons for rejection/acceptance.

People are different. I do my photography for my own reasons, but it sure is 
nicer when others like my work.

I applaud Pentax for supporting the gallery & putting up a very professional 
effort.

Kenneth Waller

----- Original Message ----- 
From: "Paul Stenquist" <[EMAIL PROTECTED]>
To: "Pentax-Discuss Mail List" <pdml@pdml.net>
Sent: Wednesday, March 21, 2007 2:06 PM
Subject: Re: Pentax Gallery


> I'm not dismayed. Surprised by some choices, but that's true of every
> selective show or website I've ever dealt with.
> Paul
> On Mar 21, 2007, at 10:26 AM, Jack Davis wrote:
>
>> My incidental comment: We've all been dismayed by the inconsistencies
>> in judging. A photo which may have been honored with a first place
>> ranking in a well attended inventory of work assembled by a respected
>> gallery, would reasonably be expected to show well in most judged
>> exhibits. Not the case.
>>
>> Jack
>> --- Mark Roberts <[EMAIL PROTECTED]> wrote:
>>
>>> Paul Stenquist wrote:
>>>
>>>> Yep. Either the people who do the pickin' like 'em or they don't.
>>>> Fairly simple. Their taste doesn't correspond exactly to mine, and I
>>>
>>>> suspect others feel the same way. But, hey, it's their gallery.
>>>
>>> Precisely.
>>>
>>> Furthermore, I've come to realize that I *already know* which shots
>>> of
>>> mine *I* like best ;-)  Part of the value in a selective gallery (or
>>> a
>>> photography contest) is specifically in gaining some insight into
>>> what
>>> *other* people like. Sure, any artist has to please himself/herself
>>> first and foremost. But if the only person you please is yourself
>>> you're not going to get anywhere. Moreover, if you're only pleasing
>>> yourself you clearly aren't communicating with, or connecting to,
>>> anyone else with your photographs. You can't possibly expect to
>>> please
>>> everybody, but that shouldn't be taken as an excuse to reject or
>>> ignore
>>> all other opinions.
>>>
>>> Another thing that's useful about selective galleries or contests is
>>> that they encourage you to think about *why* you disagree with the
>>> official selections. Thinking about why you like what you like (and
>>> how
>>> to achieve it) is a crucial part of growing and improving as a
>>> photographer. Even learning about opinions with which I may disagree
>>> is
>>> valuable.
>>>
>>> If the Gallery accepted every shot I submitted and put it in their
>>> Premier Collection it would be a huge ego boost, but I wouldn't learn
>>>
>>> anything.
>>>
>>> In light of all this, it certainly would be helpful if they provided
>>> some commentary to explain why photos were declined, but I can
>>> understand that there's no possible way they would have time for
>>> this.
>>> The note on the web site that says they'll provide a reason for
>>> declined shots was clearly intended to refer to technical issues like
>>>
>>> "not taken with a Pentax camera". They'll eventually remove that text
>>>
>>> or at least fix the wording, but this gallery is a huge undertaking
>>> and
>>> these projects never have all the staff they need. Heck, two weeks
>>> ago
>>> their list of Pentax cameras didn't even include the MX (for shame!)
>>> and last time I checked, their lens list didn't include the original
>>> "K" series.
>>>
>>> After weeks/months of being too busy, I'm determined to get out and
>>> do
>>> some shooting this weekend and I think the Pentax Gallery has played
>>> a
>>> major part in motivating me. Come to think of it, it's having shots
>>> declined by the Gallery that's the biggest motivator.


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