Depends a lot on your purpose. A commercial photographer can over edit 
and lose sales because someone may have liked those photos. A fine art 
photographer needs to be more selective. A camera club member needs to 
make sure his photos look like everyone else's in the club. This list is 
more like a camera club than not, but is a bit more open minded.

-graywolf


Tom C wrote:
>>> They've learned to largely relegate their emotions, prejudices, and
>>> personal attachments to the back >seat when deciding which images are
>>> worthy of display and may enjoy potential success.
>> I call that critical editing, IMO one of the best ways to improve my
>> photography.
>>
>> Kenneth Waller
>>
> 
> That's my feelings.  One never becomes perfect at this but I find it coming 
> full circle now. I can look throught the viewfinder and think, "No that's 
> not it", or "Yes, maybe this it".
> 
> To tell the truth, for almost any image I see displayed on this or any other 
> list that is widely panned, it's the fact that it did not receive critical 
> editting by the photographer, or if an attempt was made, it still slipped 
> through.
> 
> In short it's very often the ability to say, "I took this picture and it 
> sucks", instead of "This picture is good because I took it".
> 
> Tom C.
> 
> Tom C.
> 
> 
> 

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