Mafud wrote:

> [not at all ~your ~ position I understand].
> I'll go to hell claiming that "photorealistic" digital images can only be
> made with medium format backs/cameras (again, not your position)


Well, of course arguments do tend to polarize us. I used to fall pretty hard
on the traditional side of the argument; lately I've been doing a bit the
opposite, because I've been having so much fun with my digicam. Of course
the truth is in the middle somewhere. I do find that even as the digicam has
satisfied my pent-up need to get back to work making pictures, it hasn't
entirely scratched the itch--I've still got a hankering to get the Spotmatic
and the 50/1.4 Tak out and make some negs to print in the darkroom.

I made some prints for Shel tonight from Optio 330 pictures I took down off
the web. I don't think they're going to convince him (although they
definitely don't have "jaggies"). If you scrutinize them they don't look
terribly sharp and they don't look particularly photographic.

Part of where I'm coming from myself, I suppose, is that I *love*
black-and-white but have never been much of a fan of many of the
conventional color processes. I think a lot of slides look generically
awful, and I'm not fond of Type C prints either. Digital inkjet prints do
more for me than either, generally. I love the surface of the matte papers,
the color purity, and the softness and scale of the tones. It has a sort of
painterly feel that I particularly like. But I'm not sure I can defend it as
being "photo quality" or "as good as film" or anything like that. I'm also
not sure I'd want to. It's really just a matter of taste.

Certainly, getting to know digital a bit doesn't lessen my interest in all
forms of traditional photography. Overall, however, there seems little doubt
that film is obsolescent. In the end it's probably not a question of "where"
each of us stands on digital, but WHEN we'll change our minds about it.
Because it will probably change everybody's minds eventually.

--Mike
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