For most of the thirty years I shot film I didn't have problems either. Gamma 
in Chicago was a wonderful lab. So was LaSalle, which was  a budget lab. When I 
worked for Hearst in New York, my film went to a place that was called New York 
Photographic (if memory serves me). They were super.  But in recent years here 
in Michigan, I kept getting negative film that was dirty and couldn't be 
scanned without a lot of cleaning. And Meteor was processing my E-6. The clips 
that they used to hold the 120 rolls always kinked the first frame. I 
eventually resorted to wasting that frame by shooting the ground. Didn't want 
to be bummed out by a kink on a good exposure. I was really getting a bit 
discouraged by it all when the D came along. 
Paul
 -------------- Original message ----------------------
From: "Kenneth Waller" <[EMAIL PROTECTED]>
> >...Seriously, it was recurring problems with all of the labs I worked with, 
> >including some expensive >pro labs...
> 
> I've had just the opposite experience
> 
> Although I've mainly shot slide film (only about 99.9% of my non business 
> images) for 35+years, - many of those years I'd shoot hundreds of 36 exp 
> rolls- I've had only one screw up during the processing - most processing 
> was of the mail out type.  It occurred during the processing of several 
> rolls taken with my then new Spotmatic, on my honeymoon. Somehow a few of 
> those rolls got mixed up with someone taking semi-nude photos of a female 
> subject. Never did get some of the honeymoon rolls.
> 
> Also for 18 years, on my job, I was taking 10 to 15 rolls of print film each 
> week (forensic evidence) and never had an issue with those rolls during 
> processing, even tho we normally used the lowest cost processor.
> 
> Kenneth Waller
> http://tinyurl.com/272u2f
> 
> 
> ----- Original Message ----- 
> From: <[EMAIL PROTECTED]>
> Subject: Re: Sensor cleaning
> 
> 
> > And then it gets trashed in the lab:-). Seriously, it was recurring 
> > problems with all of the labs I worked with, including some expensive pro 
> > labs, that led me to make the leap to the dark side.
> > Paul
> > -------------- Original message ----------------------
> > From: "Bob Blakely" <[EMAIL PROTECTED]>
> >> From: "Paul Stenquist" <[EMAIL PROTECTED]>
> >>
> >> > Film is much harder to clean than a sensor.
> >> > Paul
> >>
> >> Yes, it is, but you get a new, fresh, brushed (thanks to the design of 
> >> the
> >> can) sensor for each shot. Further, as it rolls onto the takeup reel, it
> >> protects itself.
> >>
> >> Regards,
> >> Bob...
> 
> 
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