Tom, you're part right. Enjoying art means participating in it and it's 
interpretation. 
Abstract art especially so. What the viewer brings to the table is important 
and a photo 
never stands on its own.

If a photo gets someone to think, to consider it, to make associations, and to 
participate in art as a verb, it absolutely displays skill of the artist.

Relying on some schtik - overdone HDR tone-mapping, Galen-Rowell-wannabe 
horridly 
oversaturated colors, and the like - that's lazy man's photography. It relies 
on 
crutches instead of expression. And that's garbage.

Cheers,
Paul

Tom C wrote:
> Really, truthfully, I think a lot of you are in love with the story you make
> up in your heads, instead of the image itself.  You're not really admiring
> the image as much as what you think it means.
> 
> Shel did this type of thing over and over.  A crappy snapshot of a homeless
> person on the street may well be a tear-jerker for some, but it doesn't mean
> it's a good image or that it displays an artful skill.
> 
> Because one makes up some 'profound' meaning for a still image one declares
> it to be a good photograph, whilst one walks by thousands of similar equally
> 'good' images every single day and dismisses them without even actually
> seeing them.
> 
> I do like abstract art.  I have attempted and succeeded I think with a
> number of abstract images.  What I'm not a fan of us is putting lipstick on
> a sow and then giving it a kiss. :-)
> 
> I find the genre at large to be a bit of a sham, charlatan, a fraud. Very
> little effort taking a picture of something very ordinary and rely on your
> audience to do all the mental work, and then pronounce it as good because of
> what went on in their head, not because of empirical qualities of the image.
> Sort of a 'lazy man's photography'. 
> 
> Actually, that's a little harsh but it's what I perceive occurring often.  
> 
> As far as this image goes, it does nothing for me.  I see two small fallen
> leaves on a dirty sidewalk amongst bicycle tire tracks.  Maybe if there were
> more leaves or if they were brighter colors... 
> 
> To be fair, I have seen shots Godfrey has taken that I really enjoyed even
> if not my favorite genre.
> 
> Tom C.
> 
> 
>> -----Original Message-----
>> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
>> [EMAIL PROTECTED]
>> Sent: Wednesday, November 07, 2007 3:08 PM
>> To: Pentax-Discuss Mail List
>> Subject: RE: PESO 2007 - 46b - GDG
>>
>>> I guess my distaste for the genre is, that for all appearances,  it does
>>> not
>>> rely on the eye or skill of the photographer or the quality of the image
>>> necessarily to be successful.  And that bothers me because someone could
>>> put
>>> ten of these in mattes and frames and show them to acclaim, when a ten
> year
>>> old with a camera snapping at random could come up with something quite
>>> similar. I certainly can, walking down any old street, in any city, USA,
>>> zip
>>> code goes here.
>> I think you are missing something.  In my opinion (as a person with an art
>> degree), Godfrey's photo is an example of Photography as Fine Art.  I can
>> assume from your comments that you are not a fan of abstract art, which is
> how
>> I see Godfrey's work from this particular series.
>>
>> You see a photo and want it to tell you a story, but it does not have to.
>> There are no rules in art.  This means that, yes, a child could take
> similar
>> photos, hang them and call them art.
>>
>> However, if you take a closer look at Godfrey's series, I think you will
> see a
>> lot more skill involved than you think.  Composition is a huge part of his
>> photos, and it's almost always very good (I realize "good" is subjective,
> but
>> I'm writing from work and don't have enough time to be less so).  A child
> is
>> not going to know how to take abstract photos of everyday objects and make
> the
>> composition visually appealing, or notice colors or forms that contrast or
>> compliment each other and capture them in a similarly appealing way.
> Skill is
>> as much involved in photographing abstract shapes as it is in painting a
>> portrait or taking a landscape photograph.
>>
>> The child could call their photos art and they would be, but it takes
> skill to
>> make that art look good to more than just their parents.
>>
>>
>> John Celio
>> (I would love to cite particular artists work, but don't remember enough
> from
>> my university naps, er, art history classes)
>>
>> --
>> PDML Pentax-Discuss Mail List
>> [email protected]
>> http://pdml.net/mailman/listinfo/pdml_pdml.net
>> to UNSUBSCRIBE from the PDML, please visit the link directly above and
> follow the
>> directions.
> 
> 
> 

-- 
PDML Pentax-Discuss Mail List
[email protected]
http://pdml.net/mailman/listinfo/pdml_pdml.net
to UNSUBSCRIBE from the PDML, please visit the link directly above and follow 
the directions.

Reply via email to