OTOH, an expert color printer can correct for almost any light.

I had a 8x10 done from a negative that was shot under a combination of
daylight coming through the open door, sodium vapor lights overhead,
fluorescent lights over the machines, incandescent work lights on the
machines, plasma vapor from a metalizing machine. My printer was able to
make it look like it was done under studio lighting. Unfortunately it lost
the almost sorcerous look of the machine print had. You better believe it
was difficult to make that print it had to be dodged and burned under
several different filter packs. But it can and has been done. With digital
images you can do it on your desktop.

--graywolf
-------------------------------------------------
The optimist's cup is half full,
The pessimist's is half empty,
The wise man enjoys his drink.


----- Original Message -----
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, November 16, 2001 1:18 AM
Subject: Re: Auro Show Snaps


> In a message dated 11/15/01 11:14:07 PM Eastern Standard Time,
> [EMAIL PROTECTED] writes:
> >
> > I don't use flash.  I don't own a flash.  Flash is intrusive and
> >
>
> May I then forewarn you you won't be happy with the color rendition of
~any~
> image you take under all that mixed lighting? Not only will your photos be
> way off vis-vis the ~actual~ color of any automobiles you shoot, your
> backgrounds will be busy and miserable.
> One last suggestion: try to get into the preview show to take your photos.
>
> I might also say what you propose to do is ~not~ the type of photography
you
> normally take, whatever that is. Shooting under mixed lighting sux under
the
> best of conditions.
> Without a flash: I guarantee mixed if not horrid results.
>
> But ... to each his own.
-
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