You'd be surprised who knows about Speed Graphics, I know at least two
regular users under 30. They're something of a cult camera these days,
the higher-brow version of the Diana.

-Adam

On 1/11/08, graywolf <[EMAIL PROTECTED]> wrote:
> That is the Big Black Camera syndrome. I have mentioned it
> here on several occasions, but you seem to be the first who
> agreed with me on that. I used to use a Mamiya Universal
> Press. It was "BIG". It was "BLACK". And it did not look
> anything like Uncle Harry's camera. People would actually
> stop to watch the "PROFESSIONAL PHOTOGRAPHER" working.
>
> Besides that it had superb lenses, backs for at least 4
> different film formats including full frame Polaroids, the
> rangefinder was great too.
>
> The term Big Black Camera used to mean a Speed Graphic, and
> it seems to have outlived that as I have heard it used by
> people too young to have ever seen a Speed Graphic. Speaking
> of Speed Graphics, did you know the way you get rid of your
> spent flashbulbs, now that there are no ashtrays to pop them
> into, is to give them to the subject as a souvenir? Not sure
> if they actually keep it, but they seldom refuse to take it.
>
>
> Graywolf (Tom Rittenhouse)
> Website: http://www.graywolfphoto.com
> Blog:    http://www.graywolfphoto.com/journal/
> -----------------------------------------------------------------------
>
> Rick Denney wrote:
>
> >
> > But there's a bigger reason a 645D would succeed if priced
> > competitively with Canon, and that is that many commercial
> > photographers need to use impressive looking equipment. This flies in
> > the face of artistic sensibilities, but many fat brides are already
> > outside the realm of art and just want their photographer not to look
> > like Uncle Harry. And Uncle Harry has a Canon 350D or a 30D, which to
> > the bride looks no different than the photographer's 5D or 1DsII.
>
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-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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