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From: <[EMAIL PROTECTED]>

Subject: A bit embrassing?


> Some interesting threads came up today: In-camera (image stabilisation) vs. 
> lens dedicaed 
> (image stabilisation); improved continuous autofocus with the new Pentax 
> cameras and lenses. 
> No much discussion followed either of these. So what topic does the list 
> fixate on: Whether 
> Macs or PCs do a better job of burning DVDs. Such silliness.

Well, while you guys were fixating on burning CDs and trying to decide which 
method of shake 
reduction works best, I shot 6 gigs of Lyndsaye at the studio.
It was another good day.
However, to answer your questions:
In camera IS definitely is better, since it supports all my Pentax lenses. What 
more is there to 
say?
The AF improvements with DA* lenses will be an improvement to me if I ever get 
around to 
purchasing any of them. I'm still not convinced that zooms are where I want to 
go, though the 
60-250 is on my next lens list, and I will pick one up the moment it becomes 
available to me.

Now, about my day.
This time, I managed to remember to set my ISO to 100.......
I decided to eschew the umbrellas and soft boxes in favour of spun steel pans, 
which I like 
better. I don't know why, but I just like the quality of light off them better. 
I think they 
give a more lifelike image.
The studio boys use umbrellas and the like because they are easy, I say easy 
sometimes doesn't 
give as nice a result.
I started off with the DA70mm LTD and did some basic head shots so she could 
see how her hair 
style photographs (trial run for her wedding in June).
I then backed off a bit and did some half length stuff some kinda arsty stuff.
After I got bored with that, I switched to the Voigtlander 58mm and she 
switched to a little red 
dress, which was quite delightful. We did a bunch of full lengths, and then I 
had her sit down 
and we did some stuff, and then I had her stand up again and did some more full 
lengths.
After that, she changed into a little black dress, which didn't work quite as 
well, but I got a 
few nice shots, and then she changed into slacks and a sleeveless top, which 
worked quite well.

The camera worked marvelously. Every exposure is excellent (except for a few 
where the flash 
trigger didn't manage to fire the Normans) and I only have a couple of pictures 
that misfocused, 
and that was my fault for pushing the button when I should have been twisting 
the focus ring.
Something that I've noticed is that the IR trigger reflects a red catchlight in 
the subjects 
eyes. I never saw this with the K10. It's not really a big deal, but for 
wedding work I will 
probably go back to a PC cord (thanks Pentax for including a plug) to avoid 
having to retouch 
all the eyes.
Buffer size and write speeds was not an issue, the camera easily keeps up with 
the recycling 
time on the power pack, even with the slower UltraII 4 gig cards that I am 
using. I noticed that 
there is now an ExtremeIII 4 gb card available, I may pick up a few of them, 
for shooting doggie 
stuff, the faster write speeds can be handy.
One thing I am noticing when comparing K20 images to K10 images is that the K20 
seems to give a 
smoother looking picture. Skin tones are nicer, tonal transitions are smoother, 
and the camera 
seems less prone to blowing out highlights and loosing shadow detail.
Talking about detail, there is a very noticable improvement in fine detail with 
this camera. 
Some of it (perhaps nost of it) can be attributed to the higher resolution 
sensor, but I think 
that fine tuning the AF on a lens by lens basis makes an improvement as well. 
The images are 
more sharply detailed than anything I've seen coming off a 35mm film camera.
The screen on the K20 gives a very close approximation of what the image looks 
like with the 
default Camera Raw settings. The K10 was always just a tad brighter than what 
would show up on 
the monitor. I'm glad they included the adjustments, I'm even happier that I 
don't feel the need 
to avail myself of them.

Anyway, I'll post a few shots later.

William Robb





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