On Mar 26, 2008, at 10:31 AM, Mark Roberts wrote:
> William Robb wrote:
>>
>> If you are sending files to a wet lab for printing, it is also  
>> best to convert the files to
>> sRGB. I know that there are a bunch of people supplying colour  
>> profiles for various labs, but
>> the colour paper itself fits within the sRGB colur space, so there  
>> isn't a lot of point in
>> profiling for a specific printer, presuming the lab operator is  
>> keeping up his or her end of the
>> bargain by maintaining the machine's calibrations.
>> It'a also very difficult to get perfectly neutral B&W off of a  
>> colour lab, so be patient with
>> your lab operators, and don't ask for a perfect B&W print in a  
>> hurry, especially if they are
>> busy.
>> This is especially true of the labs found in retail environments,  
>> they can usually do well
>> enough with colour, but sometimes don't have the skill set in  
>> place to accurately render a B&W
>> without some experimentation.
>
> I don't know if it's still true, but when I worked at the photo shop a
> few years ago, the owner told me that Fuji Frontier machines weren't
> even color space aware.
>
> He also said that putting your photos into sRGB color space was the  
> way
> to get the best results for printing on traditional wet color photo
> paper (like the Frontier uses).

I don't have many prints made at a service bureau, but when I do I  
usually use Calypso Imaging. They have several services for  
printing ... the pro services recommend doing a conversion to their  
printer/paper profile and embedding it, sending them a TIFF file  
prepared that way.

For one of the less expensive prints I made, I did the default sRGB  
conversion and had them do their usual. The result was good, cheap,  
and close enough to what I saw on screen for the price.

I printed four 27 x 42 inch B&Ws with them last year using the  
profile instructions. They came out perfect, exactly as they looked  
on screen, so for some services proper profiling is certainly a plus.

Godfrey

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