I use the Eye One Display 2 calibration unit. My setup parameters are 130 Luminance, 1.8 gamma, 5500K white point on the Apple Cinema Diaplay 23".
Photoshop CS2's color settings are set to the North American PrePress 2 pack, modified for ProPhoto RGB as the working colorspace. Printing from Lightroom or Photoshop CS2 with a color-managed print workflow, using the R2400's standard inks and manufacturer supplied paper profiles, produces results are very high fidelity to the screen image. Godfrey On Apr 13, 2008, at 6:23 AM, Paul Stenquist wrote: > I have my monitor set to native white point, whatever that might be > for the Apple Cinema Display. I print my BW as RGB files using the > ICC profile for the paper and with printer color control off. That > works perfectly for me. An exact match to my monitor with no tint. > Paul > On Apr 13, 2008, at 7:24 AM, David J Brooks wrote: >> Seems i'm getting the magenta colour or greensih looking tint to my >> B&W prints from the 2400 again. >> >> They look great on screen. >> >> When i set my computer up for calibration(spyder I) i set monitor >> temp >> to 6500. Is this to much >> or is this even a concern. >> >> Just curious what those of you that do a lot of B&W prints have the >> monitor set at. >> -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
