Ken Waller wrote:
>> So. I've heard some talk about using filters on the flash to ballanse
>> the colour temp better
> 
> Couldn't you achieve the same effect in post processing if you shoot RAW?

Nope. Or at least not without a *lot* of work. The problem is that the 
ratio of flash-to-ambient is generally different throughout the scene, 
so correction in Photoshop involves a nightmare of layer masks and 
feathering. The best way is to balance the flash to the ambient light by 
putting a colored gel over the flash. Even just getting "close" is a 
major help.


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