On Tue,  4 Dec 2001 11:05:22 -0500, you wrote:

>The bottom line is that the pictures cost me about $8 total and no
>additional time, while obtaining superior results. 

I agree that an experienced shooter with a film camera can run rings
around inexperienced grandma with a digital. And I agree that Double
Prints at the local cheap minilab are a bargain. And I agree that one
strength of film cameras the perceptual and real convenience of
film-based double prints the same day or the next day.

But a modestly experienced digital shooter can get a couple of rolls
of good shots at a two-hour event, then while the party is breaking
up, make a small handful of CD's to pass out at the door, and during
the event email photos or MPGs in near-real time to overseas
participants, and within a few minutes of the guests leaving have a
nice little website set up with a built-in slideshow that everyone can
ooh-and-ahh over at work the next day - and do all this whilst
participating in the event itself in no less limited manner than an
ordinary bustling host or hostess.

That digital convenience is why I really want a Pentax K-mount
digital, even if it is only 3.3, 4 or 5 megapixels. As long as it has
a K-mount, a hotshoe, and methodology to get decent fill-flash, I'd be
content.

Large quantities of small prints - cheap and fast - are the
bread-and-butter of film and P&S cameras. But I believe I could drop
off a CD at a local lab and get pretty quick service for nice prints
from digital. The question for digital prints from the local Wal-Mart
type store is that a set equivalent to a roll of film cost more than
the $4.99 we Americans like to pay for traditional P&S film-based
Double Prints.

--
John Mustarde
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