[...]
> What I need, is to find a web site / document / book that can 
> get me off the ground,
> with explaining what ISO/shutter/aperture/exposure/etc.. are, 
> how how they relate to each other, and affect each other, and 
> the picture
> 
[...]

Most beginners' photography books should teach you that in a few pages, with
some shooting exercises. You also need to learn about exposure metering, in
particular the difference between incident and reflected light readings, and
their pros and cons. Michael Freeman has been writing such books for many,
many years and they seem to work well - try something like his The Complete
Guide to Digital Photography.

Here's a quick overview.

Exposure determines how much light hits the sensor. The ISO number is a
measure of how sensitive to light the sensor is. The higher the number, the
more sensitive it is. The more sensitive it is, the less light you need to
record the correct exposure.

The ISO numbers usually double - each doubling represents twice the
sensitivity, and a corresponding halving of the amount of light needed to
hit the sensor. In bright sunlight you typically use a lower sensitivity
than you would in deep shade or at night - it gives you more options for
setting your aperture and shutter speed.

The amount of light that hits the sensor is determined jointly by the size
of the hole which lets light into the camera, and how long you keep the hole
open. 

The size of the hole is set using the aperture and measured in f stops, such
as 1.4, 2, 2.8, 4, 5.6, 8, 11, 16 etc. The smaller the number, the larger
the hole and the more light you let into the camera. Each number in the
series above represents a halving of the area of the hole. So f/1.4 is twice
the area of f/2, which is twice the area of f/2.8 etc. (More accurately, the
aperture is the hole; the thing that determines the size of the hole is the
diaphragm.)

How long you keep the hole open is set by the shutter speed, which is
normally measured in fractions of a second, but can also be much longer than
a second. Usually the speeds run from about 1/30th, 1/60th, ..., 1/4000th of
a second. Once again, each step represents a halving of the amount of time
the hole is open.

The amount of light in a scene is measured with a light meter. Meters built
into the camera measure the amount of light reflected from the scene, and
make an assumption that the scene reflects 18% of the light falling on it.
This assumption provides a reference point, but can fool the meter under
certain conditions. 

The other main type of meter is an incident meter. These are usually
hand-held separately from the camera, and measure the amount of light that's
falling on the subject. Both types of meter give you the same type of
reading. For the meter to work properly you have to set it to the same ISO
number as your sensor.

The meter reading gives you an exposure value, or EV. You can set various
combinations of f-stop and shutter speed on your camera to let in the
correct amount of light to match the EV. For example, 1/1000 sec at f/8 lets
in the same amount of light as 1/250 at f/16. If you change one without
changing the other you are likely to under- or over-expose. Under-exposure
means you haven't let in enough light, and the picture looks too dark or
muddy; over-exposure means you've let in too much and the picture looks too
bright and washed out. 

A good deal of the creative control in photography lies in how you combine
the aperture and shutter speed, and this is where you need to start
experimenting to understand the theory.

Varying the shutter speed makes moving subjects more or less blurred in the
picture. 

Varying the aperture determines how much is in focus in front of and behind
the object you've focused on. So a larger aperture (smaller number) means
less is in focus and you can get a nicely blurred background; a smaller
aperture (larger number) means more is in focus, and you tend to get a
sharper picture.

Here endeth the first lesson. It's now playtime.

Bob


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