Hello Cesar,

I have a Gossen Luna Pro Digital meter that I used all the time.  The
issue becomes, however, how best to expose for the camera or film in
question.  When shooting film, the light meter works well.  But when
shooting digital, a histogram works much better because it shows you
how the camera/sensor will record the image.  Doesn't really matter
what the meter thinks the 'right' exposure should be, you still need
to work with what the sensor will actually record.  By viewing the
histogram, you can decide if you are going to blow out parts of the
image or record them too dark for working with in post process.  The
light meter will not help you with that issue.

I still have the meter and carry it with me all the time, but find I
don't use it very often.  If I didn't already own it, I don't think I
would buy one at this point - unless I was going to shoot film -
which I don't have a film camera anymore.

-- 
Best regards,
Bruce


Wednesday, February 25, 2009, 6:35:54 PM, you wrote:

CMI> Larry Colen wrote:
>> On Wed, Feb 25, 2009 at 03:30:57PM -0800, Nick David Wright wrote:
>> # 
>> # I think that I'd like to purchase a hand-held meter sometime in the near 
>> future. But I'm not really sure which one I'd like to go with. Just looking 
>> to meter ambient light. I'd like something small and simple. What do you all 
>> recommend?
>>
>> I recommend waiting until you get your K10. In the length of time that
>> it takes to use a hand held light meter, you can fire a test shot,
>> look at the histogram and make corrections accordingly. 
>>   
CMI> +++
CMI> I never learned to use histograms to judge exposure - is it not 
CMI> dependent on the reflectivity of the scene?  I just rely on my meter.
CMI> I frequently use a hand-held meter when using my *ist D.  It is true 
CMI> that quite often the difference in exposure from the camera's meter is
CMI> but a stop, but I believe in getting it right from the start.  I guess
CMI> it comes from my film-shooting days when I always exposed as if I were
CMI> shooting slide film.  And nowadays I don't really want to spend time 
CMI> 'tweaking' my shots.
CMI> As some of you may have noted, a lot of my recent PESOs have been shot
CMI> along the water.  I use incident metering since sand and water 
CMI> reflectivity can fool  a camera quite readily.
CMI> I have used a Sekonic Studio Deluxe L-398 [no battery, heavy, small], 
CMI> Sekonic L-358 [flash meter too], Minolta Flashmeter III.  All three have
CMI> been mentioned in this thread.
>> # 
>> # Thanks.
>> # 
>> #  ~Nick David Wright
>> # http://pedalingprose.wordpress.com/
>>   
CMI> César
CMI> Panama City, Florida

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