http://www.blurb.com/book/pricing

Basically, an extra $7 for going up to 160 pages ($8 for imagewrap),
and the premium paper option gets significantly more expensive (an
extra $3 premium for imagewrap, bringing the price up to $60.95!)

Beyond 160 pages (we should be so lucky, although I'm sure that
the editors would be happier with a smaller number) premium paper
isn't even an option.


On Mon, Mar 02, 2009 at 10:11:20AM -0800, Jack Davis wrote:
> 
> Mildly curious. What happens, no matter how remote the possibility might be, 
> if more than 120 folks submit images?
> How much more would the book cost?
> 
> Jack
> 
> 
> --- On Mon, 3/2/09, [email protected] <[email protected]> wrote:
> 
> > From: [email protected] <[email protected]>
> > Subject: Re: PDML PHOTO ANNUAL 2008-2009 Book Review TEASE
> > To: [email protected]
> > Date: Monday, March 2, 2009, 9:53 AM
> > In a message dated 3/2/2009 9:08:13 A.M. Pacific  Standard
> > Time, 
> > [email protected] writes:
> > I agree with Frank and  Bill and the proposed policy.
> > I've "been  
> > there, done that" in a minor  way - i.e. edited a
> > couple of Blurb  
> > books. There were several times in  my Venice book where I
> > had to make  
> > choices resulting in leaving out a  "better"
> > photo in favor of one  
> > which was more appropriate for the slot  on the book page.
> > I'll send  
> > Mark et al two or three images and leave  it to them to
> > figure which  
> > one helps build a stronger book. Going  through this
> > year's version, I  
> > have to agree with the editors that  there was no place to
> > neatly fit  
> > in my second  image.
> > 
> > stan
> > 
> > =============
> > I am glad we seem beyond the point of  arguing about it. 
> > 
> > I often don't agree with others' assessments of 
> > what is a better or worse 
> > photo or what would work here or there or not.  Reacting to
> > art work, 
> > photography, etc. can be a very subjective thing. In the 
> > real world, I sometimes write, 
> > and I don't enter writing contests. I don't enter 
> > photography contests. I 
> > don't like contests, period. When I am creative I am
> > not  competitive, when I am 
> > competitive I feel much, much less creative. If I 
> > concentrate on one c or 
> > the other, the other c suffers -- to me they are 
> > conflicting emotions. So I 
> > limit my competitiveness to card and other games. I  can be
> > very competitive.
> > 
> > What I like about PDML is it's democratic  with no
> > moderation. What I like 
> > about the PUG is the same thing, it's democratic  with
> > no moderation (or not 
> > much). What I don't like about the Pentax Gallery is 
> > that other people, who I 
> > might easily not agree with, get to subjectively choose 
> > what goes in and what 
> > does not. 
> > 
> > If most people are happy with the  proposed setup, then I
> > will accept and 
> > work with it. Or not. I don't have to  submit a photo
> > at all. I can just continue 
> > to enjoy the PDML without worrying  about the annual and
> > the things around 
> > it. 
> > 
> > However, I am glad  it will be one photographer, one photo,
> > because I feel 
> > that is the fairest. If I  do submit, I will submit one
> > photo, because I would 
> > want to KNOW what one is  going to represent my work -- and
> > not leave that 
> > decision to  others.
> > 
> > I still have the Pentax Optio A40, so I might. You have 
> > been warned. ;-)
> > 
> > Marnie aka Doe  
> > 
> > ---------------------------------------------
> > Warning: I am now  filtering my email, so you may be
> > censored.  
> > 
> > **************Worried about job security? Check out the 5
> > safest jobs in a 
> > recession. 
> > (http://jobs.aol.com/gallery/growing-job-industries?ncid=emlcntuscare00000002)
> > 
> > --
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> 
> 
>       
> 
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