I imagined the same thing, but left it out of my question. ;)

Jack


--- On Mon, 3/2/09, ann sanfedele <[email protected]> wrote:

> From: ann sanfedele <[email protected]>
> Subject: Re: PDML PHOTO ANNUAL 2008-2009 Book Review TEASE
> To: "Pentax-Discuss Mail List" <[email protected]>
> Date: Monday, March 2, 2009, 11:11 AM
> Jack Davis wrote:
> 
> > Mildly curious. What happens, no matter how remote the
> possibility might be, if more than 120 folks submit images?
> > How much more would the book cost?
> > 
> > Jack
> >  
> 120 pages probably means more like 100 photogs... they
> count the T of C, the PDML quotes, intro, etc... I imagine.
> 
> ann
> 
> > 
> > --- On Mon, 3/2/09, [email protected]
> <[email protected]> wrote:
> > 
> >  
> >> From: [email protected] <[email protected]>
> >> Subject: Re: PDML PHOTO ANNUAL 2008-2009 Book
> Review TEASE
> >> To: [email protected]
> >> Date: Monday, March 2, 2009, 9:53 AM
> >> In a message dated 3/2/2009 9:08:13 A.M. Pacific 
> Standard
> >> Time, [email protected] writes:
> >> I agree with Frank and  Bill and the proposed
> policy.
> >> I've "been  there, done that" in a
> minor  way - i.e. edited a
> >> couple of Blurb  books. There were several times
> in  my Venice book where I
> >> had to make  choices resulting in leaving out a 
> "better"
> >> photo in favor of one  which was more appropriate
> for the slot  on the book page.
> >> I'll send  Mark et al two or three images and
> leave  it to them to
> >> figure which  one helps build a stronger book.
> Going  through this
> >> year's version, I  have to agree with the
> editors that  there was no place to
> >> neatly fit  in my second  image.
> >> 
> >> stan
> >> 
> >> =============
> >> I am glad we seem beyond the point of  arguing
> about it. 
> >> I often don't agree with others'
> assessments of what is a better or worse photo or what would
> work here or there or not.  Reacting to
> >> art work, photography, etc. can be a very
> subjective thing. In the real world, I sometimes write, and
> I don't enter writing contests. I don't enter
> photography contests. I don't like contests, period.
> When I am creative I am
> >> not  competitive, when I am competitive I feel
> much, much less creative. If I concentrate on one c or the
> other, the other c suffers -- to me they are conflicting
> emotions. So I limit my competitiveness to card and other
> games. I  can be
> >> very competitive.
> >> 
> >> What I like about PDML is it's democratic 
> with no
> >> moderation. What I like about the PUG is the same
> thing, it's democratic  with
> >> no moderation (or not much). What I don't like
> about the Pentax Gallery is that other people, who I might
> easily not agree with, get to subjectively choose what goes
> in and what does not. 
> >> If most people are happy with the  proposed setup,
> then I
> >> will accept and work with it. Or not. I don't
> have to  submit a photo
> >> at all. I can just continue to enjoy the PDML
> without worrying  about the annual and
> >> the things around it. 
> >> However, I am glad  it will be one photographer,
> one photo,
> >> because I feel that is the fairest. If I  do
> submit, I will submit one
> >> photo, because I would want to KNOW what one is 
> going to represent my work -- and
> >> not leave that decision to  others.
> >> 
> >> I still have the Pentax Optio A40, so I might. You
> have been warned. ;-)
> >> 
> >> Marnie aka Doe  
> >> ---------------------------------------------
> >> Warning: I am now  filtering my email, so you may
> be
> >> censored.  
> >> **************Worried about job security? Check
> out the 5
> >> safest jobs in a recession.
> (http://jobs.aol.com/gallery/growing-job-industries?ncid=emlcntuscare00000002)
> >> 
> >> --
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> >>    
> > 
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> 
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