When I was shooting film for weddings, I had the fisheye zoom.  I
found it to be useful for about 2 or 3 shots in the whole wedding.
And if I had not shown those images, the client wouldn't have noticed.

These days, shooting digital APS-C, the 16-50/2.8 and 50-135/2.8 are
the perfect pair for focal length and size to do weddings.  The old 
70-200/2.8's are
big and heavy and difficult to hand hold for long periods of time.

I rarely have need or desire to go wider than 16mm rectilinear when
shooting weddings.  I side with Paul that if you don't have the 16-50/2.8,
rent it instead of the fisheye.  You'll use it about 200:1 compared to
the fisheye.

-- 
Best regards,
Bruce


Friday, March 6, 2009, 6:18:04 AM, you wrote:

PS> But you lose FOV and image quality. When rectilinear super wide is  
PS> what's needed, a rectilinear lens is the best choice.
PS> Paul
PS> On Mar 6, 2009, at 7:50 AM, William Robb wrote:

>>
>> ----- Original Message ----- From: "Allison Trueman"
>> Subject: Re: Damage Waiver for Lens Rental?
>>
>>
>>
>>> It is just for the effects photos. I have actually met with a few   
>>> couples before who wondered why I didn't have anything in my  
>>> portfolio  with a fisheye at the back of the church during the  
>>> ceremony. They do  also have the 12-24 or the Sigma 10-20  
>>> available, but my friend/2nd  shooter has that range covered with  
>>> her D700. Since the couple has a  beautiful location for the  
>>> ceremony and reception, and because they  are an attractive couple,  
>>> I really want to use this wedding to expand  my portfolio. The  
>>> lensbaby is going along too...
>>>
>>
>> You can defish images that you want straight in post processing, so  
>> the fisheye isn't as limiting as it is being made out to be.
>>
>> William Robb
>>
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