Thanks for the excellent summary, Mark, and welcome home!

Did anyone from Pentax say anything about changes in marketing and 
distribution?  Historically their marketing has been terrible; they improved 
their advertising a lot around the time the K10D was introduced, and then 
dropped it all. Their dealer network has become pathetic.

Rick

http://photo.net/photos/RickW


--- On Thu, 9/17/09, Mark Roberts <[email protected]> wrote:

> I just got back to Boston after my
> trip to NYC for the Pentax K-X
> intro. It was a cold and wet ride, but not *extremely* cold
> or wet. I
> think Triumph misnamed the Sprint because that bike's
> definitely a
> marathon runner (though a very, very fast one)! Best
> motorcycle ever,
> IMHO :-)
> 
> The intro was held at the International Center of
> Photography on 6th
> Ave at 43rd street and it's definitely worth a visit if you
> get the
> chance. Their current exhibit is on the work of Richard
> Avedon, who is
> not one of my favorite photographers - but that's probably
> all the
> more reason to have a look at his work, I thought to
> myself. I was
> quite surprised at how much of it I liked. The thing is, it
> was all
> his really *early* stuff that really seemed good to me. The
> exhibit
> had the photographs grouped by time periods and the later
> the year the
> less I liked his work. He seemed to have figured out what
> sold, at one
> point, and then stopped experimenting and growing. In his
> later work
> he seemed to be imitating his own "Richard Avedon style"
> (though very
> well!) I once read an article that suggested that Liza
> Minelli has, in
> effect, become a Liza Minelli impersonator; I think Richard
> Avedon
> became a sort of photographic equivalent of that.
> 
> All the prints looked fabulous, by the way, but
> particularly the
> earlier ones, to my eye. I doubt Avedon was a darkroom kind
> of guy so
> I wondered who did his printing. Whoever it was did a
> superb job.
> 
> The first person I met at the event was Gordon Lewis, who's
> writing
> the K-7 review for Mike Johnston and TOP. There were very
> few people
> there who were primarily photographers, as opposed to
> industry/retail
> people and journalists, and he somehow immediately pegged
> me as a
> shooter and just walked up and started chatting (he
> introduced himself
> as just "Gordon" and I didn't find out until later that he
> was the
> Gordon writing for Mike). He's a really nice guy, clearly
> smart and a
> damn fine photographer (which you know already if you've
> seen his work
> accompanying the K-7 review).
> 
> Pentax had the event catered very nicely and all the food
> was kosher,
> which, given the number of Adorama and B&H people
> present, was
> probably a good idea. Sparkling water, soft drinks and a
> very passable
> Sauvignon Blanc were also available. I'm normally a
> cabernet drinker,
> but I made an exception for Pentax :)
> 
> The first part of the formal presentation was all about
> Pentax and
> Hoya's relationship and how being part of Hoya has changed
> -- and will
> change -- things. The white K-2000, which Hoya decided to
> sell without
> market testing (through focus groups and the like), is one
> example.
> They are clearly working on shortening development time and
> reducing
> time to market. They also want to make Pentax's product
> line more
> logical and organized, so I expect we're seeing just the
> beginning of
> this process. Another thing they stressed was keeping
> control of
> inventory and product delivery. They made a big deal about
> this and I
> got the impression they've already foreseen and planned for
> the
> management of the multiple-color options of the K-X, making
> it easy
> for retailers to get the ones they want.
> 
> You've probably read as much as you want to know about the
> K-X by now
> so I'll just say that it's a very impressive little piece
> of kit.
> Clearly aimed at a beginner moving up from a
> point-and-shoot, rather
> than the kind of photographer who's on the PDML, but at
> $650 with a
> kit lens it really is an astonishing value for the money,
> IMO, and
> hitting the market in October (black) and November (colors)
> is just
> right timing. They reported that Pentax looks to break even
> this year
> or possibly turn a small profit. Actually quite remarkable
> in the
> current economic climate.
> 
> After all the planned presentations there was a Q&A
> period. Mostly
> uninteresting questions, but one did try to inquire about
> future,
> higher-spec products (and they clearly meant "full-frame"
> even though
> they weren't willing to use those words). The Pentax people
> kind of
> side-stepped that one by saying that their next camera
> slated for
> release is the 645D, in the spring of next year. I spoke to
> some of
> them in *private*, and while they wouldn't comment on
> full-frame or
> future camera development, there was an acknowledgement
> that the
> environment has changed - even since earlier this year.
> (Cough - Sony
> A850 - cough) My totally subjective, completely personal
> *opinion* is
> that Paul Stenquist's 2011 date for full-frame will prove
> about right.
> Maybe we'll see an announcement in late 2010 (when the Sony
> 850 will
> be retailing for ~$1500) One would note that the new K-X
> appears to
> use a Sony sensor (unconfirmed), so Pentax doesn't seem to
> consider
> themselves locked into one sensor supplier.
> 
> After the formal presentation I chatted with various Pentax
> people and
> was really happy to meet several with whom I've only
> communicated in
> email or just heard about through other people. I got to
> chat with
> President Ned Bunnell for a while. I can tell you that the
> impression
> he gives in his blog is accurate: He's a serious
> photographer and he
> really cares about what he does. I filled him in on the
> details of
> next year's PDML Annual and the gallery exhibition in
> Chicago.
> 
> I'd also like to note the attitude of most of the other
> people present
> at this event. It's the first time Pentax has ever done
> anything like
> this (and did you notice that the embargo was only broken a
> few
> *hours* before deadline, rather than days and weeks?) and
> most of
> those present were either from various web and print media
> or from
> retailers. But you could tell that the overwhelming
> majority of them
> were really pulling for Pentax, a relative underdog in a
> field of
> giant corporations. There's a genuine affection for
> Pentax's history
> and accomplishments in members of the press and in
> long-time retail
> operators like B&H. That this isn't often apparent in
> media coverage
> belies the cynical myth of press bias and corporate
> co-option so
> prevalent in popular culture. There are a lot of "friends
> of Pentax"
> out there and it was nice to feel them drop their guise of
> professionalism just a *little* for the evening to let is
> show. Their
> enthusiasm for the new K-X and marketing strategy was, I
> think,
> genuine.
> 
> I was honored to be invited to this event, but I think it's
> more a
> measure of the work the *rest* of the PDML did in making
> the
> photographs for the PDML Annual that made it possible. Keep
> up the
> good work for the next one and maybe I'll get invited to
> future
> product announcements at great photo art galleries!
> 
> And maybe they'll also have a red wine at the next one.
> 
> --
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