OK with me.

Bill Sawyer

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of paul
stenquist
Sent: Saturday, September 19, 2009 8:47 PM
To: Pentax-Discuss Mail List
Subject: Re: Was: Back in beantown! ...and a further NYC report (long)

Sounds like an opportunity for a Detroit PDML day.
Paul
On Sep 19, 2009, at 6:04 PM, Bill Sawyer wrote:

> It's worth mentioning that this exhibit is moving to the Detroit  
> Institute
> of Arts in October - the 18th I think.
>
> http://www.icp.org/site/c.dnJGKJNsFqG/b.5079531/k.9571/Avedon_Fashion.htm
>
> http://www.nytimes.com/2009/05/15/arts/design/15aved.html?_r=1
>
> Concurrently, the DIA has a collection of their own works depicting  
> the
> first 100 years of photography 1840-1940. Some really iconic images  
> there. A
> worthwhile double-header if you are in the neighborhood.
>
> http://www.dia.org/
>
>
> Bill Sawyer
>
> -----Original Message-----
> From: [email protected] [mailto:[email protected]] On Behalf  
> Of paul
> stenquist
> Sent: Thursday, September 17, 2009 9:15 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Back in beantown! ...and a further NYC report (long)
>
> Nice work. You're an excellent ambassador for the PDML.
> Paul
> On Sep 17, 2009, at 9:03 PM, Mark Roberts wrote:
>
>> I just got back to Boston after my trip to NYC for the Pentax K-X
>> intro. It was a cold and wet ride, but not *extremely* cold or wet. I
>> think Triumph misnamed the Sprint because that bike's definitely a
>> marathon runner (though a very, very fast one)! Best motorcycle ever,
>> IMHO :-)
>>
>> The intro was held at the International Center of Photography on 6th
>> Ave at 43rd street and it's definitely worth a visit if you get the
>> chance. Their current exhibit is on the work of Richard Avedon, who  
>> is
>> not one of my favorite photographers - but that's probably all the
>> more reason to have a look at his work, I thought to myself. I was
>> quite surprised at how much of it I liked. The thing is, it was all
>> his really *early* stuff that really seemed good to me. The exhibit
>> had the photographs grouped by time periods and the later the year  
>> the
>> less I liked his work. He seemed to have figured out what sold, at  
>> one
>> point, and then stopped experimenting and growing. In his later work
>> he seemed to be imitating his own "Richard Avedon style" (though very
>> well!) I once read an article that suggested that Liza Minelli has,  
>> in
>> effect, become a Liza Minelli impersonator; I think Richard Avedon
>> became a sort of photographic equivalent of that.
>>
>> All the prints looked fabulous, by the way, but particularly the
>> earlier ones, to my eye. I doubt Avedon was a darkroom kind of guy so
>> I wondered who did his printing. Whoever it was did a superb job.
>
>
>
>
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