I respectfully but STRONGLY disagree this
assessment which is that good vinyl just is more
distorted but euphonic than CD, modern, even some early,
LP disc mastering (say within the last 40
years) hasn't needed nor does it produce
any false or bad reproduction that needs
precompensation  to "sound right" in the
final result. Yes, in the early days, sometimes
the mastering "played games" in an attempt
to make the sound better for crappy phono
gear, but it was not the rule, it was the exception.

And you cant take medioocre
15/44.1 digital recording and "add artifacts"
to them to make them sound as good as properly
mastered and reproduced vinyl. The photographic
analogy would be that vinyl is nothing more
than a mediorce digital photograph with lots
of sharpness processing and that CD is
actually the higher and more accurate image.
No, its more the other way 'round. Vinyl is
more like an ultra large format film photography
whereas CD is the low resolution digital image.



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J.C. O'Connell (mailto:[email protected])
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-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of
John Sessoms
Sent: Tuesday, November 17, 2009 6:18 PM
To: [email protected]
Subject: Re: OT: Vinyl vs. Digital


From: Tom C
> I've never had an SACD, but it seems like technology is changing so 
> fast it's hard to keep up without pouring $$$ down the drain, 
> especially if the content is not there.  We buy and spend like we live

> forever, and both the stuff and us will last, but it doesn't.
> 

I might have one. I think the Springsteen Seeger Sessions was one of 
those dual CD/SACD discs. I know it's a CD on one side and a DVD on the 
other side.


> So here's a question.  Why when CD's first came out did almost every 
> single one have a disclaimer that it might 'show up the faults of the 
> original recording', when in reality it probably was not as good as 
> the original... merely on the noise level?
> 

That was what I was saying about early CD issues being just a straight 
analog to digital conversion of the tape masters. The tapes were 
originally mixed so they'd sound good on vinyl, but the reproduction 
characteristics of the CD are different.

If I remember correctly, you have to boost the high frequencies a lot 
more on vinyl so they'll reproduce normally on playback. Take that 
analog master tape with the boosted high frequencies and rip it straight

to CD and it'll come out with too much treble.

> And one other ponderance.  Can a digital recording, regardless of the 
> medium one is listening to, be as good as the analog recording? 
> Several more... and a digital recording pressed to a vinyl record, can

> it be little more than a digital recording... and then of course an 
> analog recording (as in LP), is no more than an inferior copy of the 
> analog source.

It depends on how you define "as good as". Might as well ask if a dog is

"as good as" a cat? or vice versa.

Think back to high school calculus classes. The smaller the increment 
you use to sample a curve, the more accurately you can approximate any 
point on the curve. Higher sampling rates can give more accurate 
reproduction.

A vinyl LP doesn't accurately reproduce the recorded sound. But most of 
the kinds of artifacts it introduces are pleasant to the ear, so it 
"sounds good". And the engineers who created vinyl LPs knew what kind of

artifacts vinyl introduced, like the roll off in the higher frequencies,

and compensated for those that didn't "sound good".

If you wanted to, you could add those same kind of "warm" vinyl 
inaccuracies to digital recordings so they'd be present in playback.


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