Hi Robert:
My 2 cents: I consider the 35/2 SMCT  as the cream of my crop of SMCT 
 primes. It is indeed for me too, the "normal" lens I use the most. (On 
low baggage missions, I carry: Two Spotmatic Fs, the SMCT 35/2, 50/1.4, 
135/2.5, and a 2x converter.) I realize that's not exactly light weight 
for many shooters here, but,  it's as low as I'll go.  
I've bought several 35/2s, and if you look long enough, you'll find a 
clear one. But, even if you shoot color, a slight yellow cast won't 
hurt. Since I shoot almost exclusively B & W, the yellow  cast on some 
of my old  SMCTs  doesn't seem  to intrude....

I finally nabbed a true "new" one. In a sealed  carton, truly never 
used, it had all the wrappings  and warranty card, everything that made 
 it a brand new lens. I paid dearly for it, since another ebayer had 
cast longing eyes  on it too. But, it was totally free of yellow cast.

I am sincerely of the opinion these old SMCTs, easily available, many 
 in mint condition, albeit  some with yellow casts from aging, are works 
of art, a beauty of Japanese engineering, and quite capable of producing 
works of art, despite their not having "aspherical"  elements,  LD glass 
or any of the newer innovations of modern manufacturing.

Sid B

[EMAIL PROTECTED] wrote:

>I have been the beneficiary of a windfall from ebay, an SMCT 35mm f2 lens in
>mint condition for a very good price.   It is a beautiful lens and from the
>first roll of B&W I have shot with it, a very, very sharp lens.   But it has
>a peculiarity that I have never noticed in any lens before:  the lens has a
>yellowish coloration that is rather pronounced, almost like a Y2 filter.
>Has anyone had experience with anything like this?  It will work fine for
>B&W and for color negatives, but I'm afraid the yellow tint will give me
>very warm slides.
>
>Bob
>
>
>
>
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