Ecke's post about filter enablement tickled on of my neurons. One of the places that I tend to shoot bands has the stage lit with about 4 orange and red lights, and two blue and one green. Occasionally this will lead to a nice effect, but usually just needs to be converted to B&W. Also, if I expose to not blow out the red channel, the blue and green channels end up about three stops under exposed, leaving me with 75% of my sensor sites way under.
I've been thinking of trying to slap some blue filters on my camera the next time that I shoot there, and realized that there's a good chance that folks on this list might have some gathering dust in a drawer, from the days when you needed to use a filter if you were shooting with daylight film under tungsten lights. -- Larry Colen [email protected] sent from i4est -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
