I'm wondering about the feeling that you need to 'correct' for the stage lights. No one expects the lighting to look natural at shows. Don't worry about blowing individual channels. You are not shooting under full spectrum conditions. If you are lucky, you get a spot on the lead or whomever is doing the solo, and let the rest fall where it will.
On Thu, Jul 1, 2010 at 5:47 PM, Larry Colen <[email protected]> wrote: > Ecke's post about filter enablement tickled on of my neurons. > > One of the places that I tend to shoot bands has the stage lit with about 4 > orange and red lights, and two blue and one green. Occasionally this will > lead to a nice effect, but usually just needs to be converted to B&W. Also, > if I expose to not blow out the red channel, the blue and green channels end > up about three stops under exposed, leaving me with 75% of my sensor sites > way under. > > I've been thinking of trying to slap some blue filters on my camera the next > time that I shoot there, and realized that there's a good chance that folks > on this list might have some gathering dust in a drawer, from the days when > you needed to use a filter if you were shooting with daylight film under > tungsten lights. > > > -- > Larry Colen [email protected] sent from i4est > > > > > > -- > PDML Pentax-Discuss Mail List > [email protected] > http://pdml.net/mailman/listinfo/pdml_pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above and follow > the directions. > -- Aloha Photographer Photoblog http://alohaphotog.blogspot.com/ -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
