On 10/3/2010 4:11 PM, William Robb wrote:
I'm going to respectfully disagree. Most every studio photographer I
know, whether they are pro or interested amateur has gone through a
similar equipment list, starting with hot lights in reflectors, moving
to shoe mount flashes that have been Rube Goldberged into working, and
from there to some sort of studio flash system.
I figure buy what you are going to end up with anyway right off the get
go and learn how to use it.
William Robb
I see your point, Bill. That's one way to put it - buy whatever is the
ultimate kit 'cause you will want "ultimate" anyway. I wonder if in the
world of studio flash systems there are smaller/less feature rich/less
expensive/more bang for the back models... There ought to be such
options for the beginner/on a budget shooter...
Boris
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