Paul,

if you adjust the files for maximum dynamic range, the K-5 will have
more dynamic range and less contrast than the K-7. Neither file will
be usable in that state. As a practical matter more dynamic range
moves the choice about what to blow from exposure to post.

-Adam

On Sun, Nov 7, 2010 at 3:01 PM, paul stenquist <[email protected]> wrote:
> I see no real difference in contrast levels between K-5 and K-7 raw files. 
> And how flat or contrasty the final image might be can be controlled 
> completely in conversion. It's not an issue. I shot most of yesterday's 
> images in shade with no flash fill, so they were inherently somewhat flatter 
> than what I might generally produce. However, when the sun stepped in, 
> contrast levels were quite high. For example:
> http://photo.net/photodb/photo?photo_id=11910635
> On Nov 7, 2010, at 2:31 PM, Jack Davis wrote:
>
>> Don't know if the lack of contrast you reference is so significant as to be 
>> obvious in casually examining prints, but I have noted, in what relatively 
>> few K-5 images I've viewed, contrast has appeared somewhat low and the 
>> image, of course, a bit "flat".(?)
>>
>> Jack
>>
>> --- On Sun, 11/7/10, Adam Maas <[email protected]> wrote:
>>
>>> From: Adam Maas <[email protected]>
>>> Subject: Re: On K-5 dynamic range. Somewhat tangential question.
>>> To: "Pentax-Discuss Mail List" <[email protected]>
>>> Date: Sunday, November 7, 2010, 10:18 AM
>>> On Sun, Nov 7, 2010 at 12:46 PM,
>>> Boris Liberman <[email protected]>
>>> wrote:
>>>> Hmmm, so a camera with so many bits of RAW can do what
>>> then?  Discern
>>>> 2^so many shades, right?
>>>
>>> Exactly.
>>>
>>>> And the dynamic range is about when it goes
>>>> to saturation either to pure black and pure white.
>>>
>>> Pure white and indistinguishable from noise (not pure
>>> black). The
>>> noise floor determines the actual dynamic range's low end.
>>>
>>>> Ok, so tell me
>>>> then, the wise people of PDML, is there a way looking
>>> at the same
>>>> picture shot with K-7 and K-5 to  tell them apart? Or
>>> better yet, how
>>>> do I /see/ that one camera has wider DR than the other
>>> and that more
>>>> BPS in RAW are more beneficial than less BPS in RAW in
>>> real life. And
>>>> how all that translates to actual print?
>>>
>>> The bit depth of the RAW files shows up in subtle
>>> gradations of colour
>>> and in shadow noise. You get more subtle colour/tone
>>> resolution and
>>> less shadow noise with a higher bit depth ADC than with
>>> less (the
>>> shadow noise improvement is due to exactly how ADC's work
>>> with linear
>>> imaging sensors, you lose luminance resolution at low
>>> luminance
>>> values. Digital delivers superb resolution of bright tones
>>> and poor
>>> resolution of dark tones). In the real world, shadow noise
>>> is the
>>> easiest to see, especially on a camera which can shoot in
>>> both 12 and
>>> 14 bit modes like many Nikons.
>>>
>>> More dynamic range allows you to make less trade offs in
>>> exposure at
>>> shooting time. The more DR you have, the more you can hold
>>> detail in
>>> both the highlights and the shadows at the same time. The
>>> downside is
>>> the self-same image will be lower contrast when rendered
>>> and you
>>> usually have to make those trade offs in post instead.
>>>
>>>
>>> -Adam
>>>
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>>
>>
>>
>>
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-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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