Thanks all for your comments.

Ann, I did some pixel peeping on other photos in the set looking for evidence 
of tripod shake.  I think that one problem I'm having is accurately focusing 
the 20/1.8 in the dark. I suspect that infinity is not exactly infinity. On my 
cameras auto focus won't work in that light, and I didn't bring my laser 
pointer.

Pointing directly at the moon it wouldn't have made a difference, but do 
polarizers have the same effect at night on darkening the blue of the sky? Can 
they be used to bring out the stars better?

Here's one where I used the burn in brush in lightroom to darken the sky:
http://www.flickr.com/photos/ellarsee/5193155990/

To do this right, I suspect I'd need to know a lot more photoshop.

And, for those that are interested some more shots from the set:
http://www.flickr.com/photos/ellarsee/sets/72157625430541230/


On Nov 20, 2010, at 5:55 AM, Larry Colen wrote:

> I was driving home from dancing in SF, and seeing the mist and clouds lit by 
> the moon over some water I was compelled to stop and take a few pictures.  At 
> one point when I was bracketing two cameras (K20 and Kx) two lenses (16-50 & 
> 20/1.8), several isos and exposures, my first thought was that if I had a K-5 
> this would be so much easier because I'd at least know which camera body to 
> use.  Then I realized that for this shot I didn't need a K-5, I needed a 
> 645D. Then I realized what I really needed was Ralf's nightscape skills.
> 
> Where my thoughts ended up, while waiting for the 30 second exposures, plus 
> the 30 second dark fields, is that what I'd really like to see is what Ralf 
> could do at night with a 645D, and that if Pentax were smart, they'd loan 
> Ralf a 645D for a few weeks, just to see what one could do for night time 
> landscapes.
> 
> I need to go to bed rather than going through all of my n-dimensional 
> bracketing from three different shooting locations, but after a quick scan, 
> this seems to be one of the more promising shots:
> http://www.flickr.com/photos/ellarsee/5191532097/
> 
> K20, ISO 400, 16-50 at 16mm f/2.8 30 second exposure.  Which matches my 
> previous experience that the sweet spot at night is a 30 second exposure with 
> the K20 at ISO 400.
> 
> For the Bay Area Folks, this is shot from the frontage road, just north of 
> Black Road (Bear Creek exit off Hwy 17).
> 
> If there's interest, I could post my full bracketing of one of the shots.  
> The last one I took ran into problems because the lens started fogging up.
> 
> --
> Larry Colen [email protected] sent from i4est
> 
> 
> 
> 
> 
> -- 
> PDML Pentax-Discuss Mail List
> [email protected]
> http://pdml.net/mailman/listinfo/pdml_pdml.net
> to UNSUBSCRIBE from the PDML, please visit the link directly above and follow 
> the directions.

--
Larry Colen [email protected] sent from i4est





-- 
PDML Pentax-Discuss Mail List
[email protected]
http://pdml.net/mailman/listinfo/pdml_pdml.net
to UNSUBSCRIBE from the PDML, please visit the link directly above and follow 
the directions.

Reply via email to