On 10-11-21 9:13 PM, Larry Colen wrote:
On Nov 21, 2010, at 9:08 AM, Bruce Walker wrote:

We were out airing the dog in Port Credit, down at Lake Ontario on Saturday.  I 
was needing some landscapes to experiment with an idea I had for simulating the 
Singh-Ray Gold-N-Blue polarizing filter, so I snapped a few. This one turned 
out the best after a little PP ...

http://goo.gl/zKJDm
Lovely photo, excellent composition.

The colors really give it a kick, but there is so much fun stuff with the 
composition it would be fun to see what it looks like in black and white.

How does the gold-n-blue filter work?

Larry, it's actually not too shabby in b&w if I may say so. But I think it would look best printed in some exotic process like what Mark Roberts was recently playing with. It just doesn't have enough life on the small screen, if you know what I mean.

For the low-down on the physical Singh-Ray hardware, check out David duChemin's article here ...

http://www.pixelatedimage.com/blog/2010/07/filters/
-- and --
http://www.singh-ray.com/goldnblue.html

Now I assumed that, lacking this filter, I could probably get most of the "goodness" from its effect by using a regular circular polarizer to improve the scene's contrast (if necessary) then apply tints during PP in ACR (or Lightroom) using the Gradient Filters tool. That tool allows you to easily cover an area, like from the horizon up to the top of the image, with a graduated effect. In this case I apply a blue tint to the area roughly from sea level upwards and and a second gradient with an orange tint from sea level down to the bottom. At the same time, in the sky area I apply some extra contrast and Clarity.

In this shot I actually arranged the gradient over the water so it's pretty quick and most of the water gets the full effect. I also added a 3rd gradient to reduce the brightness slightly toward the bottom to focus attention on the middle third of the shot. I was able to take advantage of the silhouetting to avoid too heavy and obvious a colour-cast in the larger non-sea/sky areas.

David duChemin makes heavy use of this filter in his work, which is gorgeous stuff, btw. I recommend a read of his book Within the Frame if you haven't seen it.

I really appreciate your comments, Larry.

-bmw

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