Shel wroe:

>I advocate no particular cameras, lenses, or equipment - just that
>whatever you use must be of the highest quality and properly adjusted in
>order to obtain superior quality when making large-sized prints.

Sure, but hand-held photography with 3200 ISO film has nothing to do with 
the "highest quality". I have no problems with this. I don't think you need 
the highest quality for certain types of photography. I'm sure his darkroom 
work is flawless but theres no way that you can achieve high resolution 
large prints with 3200 ISO film. The film doesn't have that resolution. 
That's why people use MF because you can't magnify 35mm frames much; not to 
mention 3200 ISO.
The  fact is that this kind of photography don't need high resolution or 
fine grain. Again I'm sure that the prints where flawless within their 
limitations but this has nothing to do with camera and lens used to capture 
the images.



>Come back to this commentary when you've seen the exhibit and the
>quality of the prints, and have compared them to other photographs of a
>similar nature and size made with a consumer zoom.


With 3200 ISO film you won't see any meaningful difference between a 
consumer zoom and any other quality lens. It's meaningless to say that you 
have to see the exhibition to know; unless there were parallel exhibition 
where the same image were shot with a consumer zoom and another lens there 
are no way of knowing except using common sense, laws of physics and 
experience.
Again, I've never achieved ever the biting sharpness my best lenses can 
reach without using a tripod. You can get sharp images hand held but you 
won't get that last few percentage of sharpness that separate the merely 
good from the sublime without using fine grained film and a tripod.

P�l
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