At the end of January i went to see a Bresson Exhibition, it was all
portraits. The images on display were quite large, alot of them were around
20x24 or maybe larger . The prints were awesome, i was really surprised what
could be done with a little 35mm neg.

Also the lenses Bresson were using, whilst being Leica, probaly were not
even near the standard of most lenses today.

Paul

----- Original Message -----
From: "Shel Belinkoff" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, February 12, 2002 10:56 AM
Subject: Re: Salgado: Equipment & Technique Makes an Impact


> What changes is the area of acceptable sharpness.  DOF is based on a
> factor called the "circle of confusion", and as long as that circle is
> small enough, the eye sees the image as acceptably sharp.  The
> "acceptable" size of this circle for 35mm work is 0.025mm, but this
> number only works for prints up to a certain size.  As you may imagine,
> as the print is made larger, the circle of confusion also grows in size,
> and what looks sharp in a 5x7 or even an 8x10 print, can look very much
> out of focus when the print is enlarged to 20x24, or larger.  the COF is
> generally calculated for prints no larger than about an 8x enlargement.
>
> What you have to realize is that there is only one plane of exact focus
> - so, for example, if you focus on someone's eyeball, that is the only
> part of the image that's perfectly in focus.  Stopping down the lens
> gives greater DOF, based on the COF.  So, as you can see, if I've
> explained this well, the bigger the print the more important critical
> focusing is, and greater DOF is needed to maintain an area of acceptable
> sharpness.
>
> Timothy Sherburne wrote:
>
> > I'm not sure I understand how DOF "changes" based on your final print
size.
> > Could you elaborate?
>
> --
> Shel Belinkoff
> mailto:[EMAIL PROTECTED]
> http://home.earthlink.net/~belinkoff/
> -
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