On Feb 7, 2011, at 8:36 PM, Paul Stenquist wrote:

> 
> On Feb 7, 2011, at 7:47 PM, Igor Roshchin wrote:
> 
>> 
>> Mon Feb 7 18:22:50 CST 2011
>> Paul Stenquist wrote:
>> 
>>> On Feb 7, 2011, at 7:16 PM, Igor Roshchin wrote:
>>> 
>>>> Also, albeit very subjectively (i.e. without quantitative and
>>>> systematic
>>>> tests), I found that 17-70/4 tends to produce somewhat sharper images
>>>> of
>>>> the dancers than 16-50/2.8 even at f/4 or f/5.6.
>>>> The only way I can explain this is by different quality (or speed?)
>>>> of focusing.
>>>> I've been puzzled by that myself, and that why I chose to keep 17-70/4 
>>>> last year.
>>> 
>>> Sound like critical focus isn't properly adjusted for the 16-50. Have
>>> you tested and adjusted the focus point?
>>> 
>> 
>> No, I didn't, and I realize that. But I just didn't have time and energy
>> to deal with that. 
>> (I didn't do any focus adjustments on any lenses mentioned here.)
>> 
>> The first sample of 16-50/2.8 was showing worse results, so I just sent
>> it back to the store. 
>> The second is much better if not good, as I don't seem to have
>> obvious problems with photos of static objects (e.g. portraits of people
>> sitting/staying, etc.). ... maybe not.. as photos taken with 50-135/2.8 
>> in the same situation with the same subject appear noticeably sharper.
> 
> Adjusting focus with the K20D is a virtual necessity. Most of my lenses 
> missed by quite a bit with that camera.

BTW, it only takes a couple of hours to fine tune a whole kit of lenses.
> Paul
>> 
>> Igor
>> 
>> 
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