I shoot RAW exclusively, but I don't batch process. I think every shot deserves 
my personal attention. I use ACR, because I tend to do a bit of PhotoShop work 
on some images, and I've become accustomed to the workflow. I do use "previous 
conversion" art a bit as a starting point for conversions, but I invariably 
tweak a bit. It usually takes me about 90 minutes to process 40 pics, assuming 
they''re not for publication or for sale to a good customer.

Paul




On May 30, 2011, at 6:51 PM, Brian Walters wrote:

> G'day all
> 
> First - a confession.
> 
> I know it's a bit Kenny boy-ish - but I shoot mainly JPGs.
> 
> There.
> 
> I've said it.
> 
> I feel unburdened somehow.
> 
> I know I 'should' be shooting RAW and I do shoot RAW from time to time. 
> And it's not that I don't understand its advantages, it's just that I
> struggle with the workflow.  So I'm hoping for a bit of enlightenment.
> 
> It seems to me that if you only shoot RAW, you have to have some system
> in place to batch process those images. There just aren't enough hours
> in the day to process each image individually.  I have CS3 and I know
> that I can batch process a folder full of RAW images with Photoshop's
> File > Automate > Batch command (presumably Lightroom can do something
> similar), but here is where things get murky.
> 
> So - I'm interested in how others go about the process while still
> retaining a measure of sanity.  A few questions, then...
> 
> Do you point your conversion software at a folder of RAW images and let
> it get on with the job while you watch the latest episode (or two) of
> Mythbusters?  If so, isn't this just handing over the image processing
> function to software?  Do you go back and 'tweak' the images?
> 
> or
> 
> Do you look at the JPG previews to decide which images are the 'Hero
> Images' (as the late Bruce Fraser called them) and restrict RAW
> conversion to those?
> 
> If you batch convert the lot, do you convert to a lossless format (TIFF
> or PSD)?  There doesn't seem to be much point in converting to JPG - you
> could do that in camera.
> 
> Do you archive your 'second string' images as RAW, or do you convert to
> JPG and ditch the originals?
> 
> What's the advantages of shooting RAW + JPG? (perhaps one advantage is
> that you could keep just the JPGs of your 'second string' images if you
> can't bring yourself to ditch them entirely).
> 
> In summary - if you shoot RAW exclusively (or mainly), how do you manage
> the workflow and still have a life??
> 
> 
> 
> Cheers
> 
> Brian
> 
> ++++++++++++++++++++++++++++++++++
> Brian Walters
> Western Sydney Australia
> http://lyons-ryan.org/southernlight/
> 
> 
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