What I like, but don't often actually do, is to follow advice from an interview 
of Sam Abell I read:  "Find a good background, then wait for something 
interesting to happen."

Rick

http://photo.net/photos/RickW


--- On Mon, 9/5/11, Larry Colen <[email protected]> wrote:

> A couple weeks ago, someone commented
> that most of my portraits have black backgrounds.  I do
> that because not lighting a black background is the easiest
> way to get rid of clutter that can ruin a shot.  I've
> also realized that when I'm photographing musicians, I tend
> to compose in tight, often cropping out portions of their
> head, in my pursuit of getting rid of anything that might be
> clutter in the background.
> 
> I also find that I tend to shoot from further away, with a
> longer lens, to narrow the angle of view, and have fewer
> things cluttering up the background.  Even if that
> means that there is a smaller ratio of distance to the
> subject to distance to the background, which conflicts with
> the shallower depth of field of a long lens, to use DoF to
> blur out the background.
> 
> There are all sorts of reasons why just making the
> background, and the clutter in it, go away, is a really
> great cheat for making good photographs.  It's 
> often a lot more effort to make a background work, than to
> get rid of it. So, it seems to me, that one thing that I
> need to work on is to learn how to use the backgrounds,
> rather than just making them go away.  Or, at least,
> learn some new ways of making the background go away.
> 
> What sorts of techniques do you use to make use of
> backgrounds in your photos? What do you look for in a
> background that'll improve the shot, or ruin it?
> 
> --
> Larry Colen [email protected]
> sent from i4est
> 
> 
> 
> 
> 
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