On Sep 13, 2011, at 8:54 AM, Dario Bonazza wrote:

> Larry Colen wrote:
> 
>> I photograph a lot of dancers in low light, fortunately they seem to move 
>> slower than the ones that you photograph.
> 
> I usually shoot performers, rather than dancers. In this case, she was doing 
> a roll.
> And often you are allowed to use flash, it seems.

For most of what I do, nothing but politeness prevents me from using a flash.   
 Though if I used one a lot, I'd probably be asked to stop taking pictures.  By 
the same token, I find that the autofocus light is too bright and obnoxious, or 
at the very least distracting, so as handy as an autofocus assist can be, I 
often don't use it.  With most of my lenses, that isn't a problem, but for some 
reason in low light even my K-5 has a really tough time focusing the Sigma 
20/1.8.  Which is annoying because I got it because I needed a fast/wide lens 
for low light.

  snip

> 
> 
>> A lot of the photography I do is in a dark room  ISO 6400, f/1.8, 1/10 Sec 
>> (or dimmer), with a small amount of it lit, which tends to lead to some 
>> horrific dynamic range issues. I also tend to shoot bands which have funky 
>> stage lighting where I might have quite a few stops of different intensity 
>> between the color channels, so I need the dynamic range to bring the color 
>> into balance too.  I can certainly empathize with what you are saying. The 
>> sensitivity and dynamic range of the K-5 makes a lot of what I attempt to 
>> photograph even possible, and the most important, to me, aspect of a 
>> camera's performance.  I can get around auto focus issues. I can set my own 
>> exposure. But photographic skill only goes so far in turning far too few 
>> photons into high quality ones and zeros.
> 
> Again, very similar situation here. For the kind of photography I shoot, the 
> K-5 was the camera I was hoping for and the biggest leap since the *istD.

Yup, I certainly empathized a lot with what you said.

> 

--
Larry Colen [email protected] sent from i4est





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