Hi again, Lasse, glad you're back! (And I'm happy to tell you that the AF
converter I bought from you did a good job in Malaysia...). I'd love to see
and read your story - when is it going to be published, and in which
newspaper?

/Erik (also in Stockholm)

> -----Original Message-----
> From: Lasse Karlsson [mailto:[EMAIL PROTECTED]]
> Sent: den 5 mars 2002 01:58
> To: [EMAIL PROTECTED]
> Subject: Assignment on a budget. Longish.
> 
> 
> Well, the other week I got a three days overseas assignment. 
> (Alright -
> "overseas" - there actually was a two hour boat ride, and the water is
> actually called "a sea" :) ).
> Anyway, one of the local newspapers in my home town, that I do some
> freelance work for, decided to cover a four day jazz festival in a big
> way and for this purpose they showed some good sense and called in an
> expert for the job - me.
> (Well, since I both write and shoot I guess there might be some budget
> considerations behind it too...)
> One full spread (two pages), three written articles plus as many
> pictures that will fit in, and a big front page picture, 
> unless a plane
> goes down.
> That's the kind of job that I like. I get to see the events, 
> meet a lot
> of people, musicians and friends, and get paid for it to boot.
> However, when the editor called I realised there was this little
> problem, which I didn't care to mention to him. As it 
> happened, my main
> set up - the Mz5, the 500FTZ flash and a couple of zooms were in the
> shop (that is - the pawn shop). Maybe I would able to get it out, or I
> could find me some temporary replacement for it.
> Well naturally, according to one of Murphy's amendments, neither hopes
> were realised. I didn't manage to get my gear out of the shop 
> and had no
> other option than my beat up manual back up camera, the 
> Chinon CE4. Now,
> this is a good camera if in shape, but mine does certainly 
> not look it.
> The only way to fit a strap to it, is by using the bottom 
> part of a ever
> ready case, since one side of the camera, including the strap lug,
> literally has been torn off, leaving the inner metal cover 
> visible. Part
> of the front, the logo plate above the mount, has fallen off too,
> exposing some colorful wires. Furthermore, somehow it has the 
> odd habit
> of triggering the flash to go off without the shutter button being
> pressed, and finally the battery was more than two years old, 
> making me
> wonder if it would last for yet another session.
> The flash that was available was a third party no name one 
> that you can
> find in some bin for a couple of dollars. Smallish auto-sensor or
> manual.
> The only K-lens I had was the Chinon 50/1.7, which came with 
> the camera
> when it more or less fell into my lap for next to nothing. (I 
> also have
> a screwmount 35/2.8 and 135/2.8, but both of them have got 
> the focussing
> and aperture mechanisms so stiff that it will cause the 
> lenses to unwind
> from the screw-to-K-adapter rather than doing what I want them to do,
> rendering both of them useless.)
> Always in shooting concerts and the like I use wides a lot, and teles
> too. I also use spot metering, enjoy fast autofocusing, including
> spot-focusing and enjoy having the fast film advance by the winder of
> the Mz5. I really like shooting with that camera and use a lot of it's
> features. Needless to say, I also like using the 500FTZ flash. Really
> good, reliable and I will usually take a number of second 
> curtain synch
> shots as well.
> So there I was, getting ready to leave, looking down on my 
> back up gear.
> Camera in one hand, the flash in the other.
> I realised, kind of smiled and shook my head at the fact, 
> that for this
> three day photo assignment, with some expectations from the newspaper
> that I had to fulfill (I simply had to deliver), I was going to use
> equipment - one very beat up camera, one 50mm lens and a small no name
> flash - that originally, second hand, had cost me no more 
> than 20 $US at
> the most. All batteries included...
> 
> Lasse
> -
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