Joe,

I have found that when I scan Supra 800, it looks grainy but when I
have a standard print made directly from the negative, it looks much
better - grain is not bad.  Out of all the 800 ISO films I have tried,
Supra 800 has been the least grainy (when the lab makes the prints).
The ones I have tried are Fuji Superia 800, Kodak Supra 800, Kodak
Portra 800 and Kodak MAX 800.  Just for fun you might have the lab
print one up for you to compare to your scan & print.


Bruce Dayton



Tuesday, March 05, 2002, 7:30:03 PM, you wrote:

JT> It is mainly the grain. In the past I've shot it at 1600 to 3200
JT> indoors, in European museums, and gotten much grain and occasionally an
JT> orange cast (perhaps old tungsten lighting). Recently I shot it at 800
JT> for the first time. Result: still way too much grain, in both in-focus
JT> and out-of-focus areas. The grain is especially bad in blue sky. I was
JT> using telephotos to get landing geese and one of our cats. I am basing
JT> my assessment on 2700 dpi scans on a Nikon LS 2000, and 7 x 10 inch
JT> prints on an Epson 870.

JT> Can anyone (who has done actual comparisons) recommend an ISO 800 with
JT> less grain? My only other experience with 800-speed films is NHGII 800,
JT> which I have shot (also in museums) at 1600 and 3200. It, too, is
JT> grainy, but I prefer its overall rendition.

JT> Thanks,

JT> Joe
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