Bruce Walker wrote:

>An darned good job of compositing, Dave. I really like the resulting
>image itself for the composition. Those stairway lights and curves
>form nice leading lines right to the model's face. The overall
>lighting is nicely balanced. I think that those lights in the parking
>lot lend a dramatic "she's in the spotlight" effect, myself (although
>she's actually lit from the other side).

I agree completely. The lights don't bother me at all. I think they
add drama. The barrel distortion and the way the dress looks as if it
had been crammed into a spare camera bag for transportation to she
shoot bother me more. The distortion's easy to fix but the wrinkles in
the dress could take hours in Photoshop to get right. (I had a go with
the web version if you'd like to see.)

Great job on the compositing. The area where the dress meets the floor
on the right looks a bit funky, but I thought that was just an
artifact of a curves adjustment or something (easy to fix). I never
even thought "composite" until you mentioned it.
 
-- 
Mark Roberts - Photography & Multimedia
www.robertstech.com





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