Another thought on this employer buying camera thing.

I do product photography as part of my job at work. I use my own
camera and lenses. I did not have a modern flash for my DSLR and
needed one for an upcoming event shoot. (The governor of Nebraska had
chosen to visit our company's booth at a huge agricultural show and I
wanted to make it a photo op for our company.) The boss bought me a
nice top end Metz and he said it was because I use my own camera.

You might consider making them a proposal for a piece of equipment if
you save them the money of buying the camera. It is worth it to me to
be able to use equipment that I am very familiar with.

(Some people may feel strongly about keeping the two completely
separate, but my situation works very well for my employer and me).

Darren Addy
Kearney, Nebraska

On 1/9/12, David Parsons <[email protected]> wrote:
> If you've never lit anything before, get Light: Science and Magic.
> It's required reading.
>
> It's also a good idea to go through www.strobist.com Lighting 101 and
> 102.  It will also help you understand how to light.
>
> Any camera will work, so you might as well use what you are
> comfortable with.  You'll be on manual all the time anyway.
>
> Personally, I would go with studio strobes that you can use with
> appropriate modifiers.  Softboxes, snoots, etc.
>
> On Mon, Jan 9, 2012 at 7:48 PM, Collin Brendemuehl
> <[email protected]> wrote:
>> I'm starting a new job this week.
>> It will entail both photography and web development.
>> The photography will entail doing hundreds/thousands of internal
>> engine and transmission components and indexing them for web display
>> and later ecommerce.
>>
>> Parts will be polished and shiny.  I will need to picture each variation
>> of each part, noting where the oiling holes are located, etc.
>>
>> It's a new operation and my task includes choosing the camera & lighting.
>> Here's my thought:
>> 1.  Cool lighting -- two fluorescent lights for a soft & even coverage.
>> 2.  A camera with built-in HDR.
>>
>> I'm going to do some experimenting with the in-camera HDR tomorrow on a
>> still object with side lighting, just to see what HDR will produce.
>>
>> Of course either a K5 or K7 would be ideal.  But I'll have to look @ all
>> makes, just to be fair to the employer.
>>
>> Any input/thoughts on this is appreciated.  Tx.
>>
>> Sincerely,
>>
>> Collin Brendemuehl
>> "He is no fool who gives what he cannot keep to gain what he cannot lose"
>> -- Jim Elliott
>>
>>
>>
>>
>>
>>
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>
>
> --
> David Parsons Photography
> http://www.davidparsonsphoto.com
>
> Aloha Photographer Photoblog
> http://alohaphotog.blogspot.com/
>
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