From: "Collin Brendemuehl"
These are the lights that I am requesting:
http://mpex.com/interfit-super-coolite-5.html
If the room were larger and better-ventilated,
I'd just use shop lights. It seems these DSLRs
will automatically compensate for any lighting tonality.
And if not, PS and shooting raw covers a multitude
of lighting sins.
Sincerely,
Collin Brendemuehl
Get you one of these do-hickeys to go with 'em.
http://www.amazon.com/XPRO-Studio-Photography-Light-Tent/dp/B000BFYXGG
They usually should have a front panel with a slit for the lens to poke
through so you get a complete white surround. If it doesn't, get a piece
of white foam core & cut a hole to fit the lens & put that across the
opening.
Shooting reflective metal, you don't light the metal; you light what's
going to be reflected in the metal.
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