I'm in the midst of resolving a mini disaster. The storm drains under my house 
are clogged, and I'm going to have to jackhammer a ditch on the perimeter of my 
basement floor. Or rather, four big guys with masks and earplugs are going to 
jackhammer a ditch, while a dozen guys with buckets cart away the concrete.

Anyway, the reason I'm mentioning this is that I have to disassemble my 
darkroom to make this happen. I'm not going to put it back together. While I 
may still develop some  film, I don't plan on making any optical prints. I've 
had my fun. Twice. It's free to the first list member who responds. BUT THERE'S 
A CATCH (pardon the shouting): You have to pick up the equipment at my house in 
Bloomfield HIlls, Michigan. It would cost more to ship than it's worth, and I 
don't have the time to deal with it in the throes of this dilemna. THERE'S A 
SECOND CATCH: You have to take it all, and you have to pick it up by next 
weekend. 

Here's what you get.

An Omegalite D cold light enlarger with lens mounts for medium format and 4 x 
5. One piece is needed to complete the 4 x 5 assembly. I had found a source but 
never ordered it. However, it's fully functional for medium format. This is the 
enlarger that uses circular fluorescent lamps. It works very well.

A Schneider Kreuznach Componon-S 100/5.6 enlarging lens, which is ideal for 6 x 
7 medium format.
A Schneider Kreuznach Componon-S 135/5.6 enlarging lens, which is ideal for 4 x 
5 large format.

An Omega B22 enlarger with Zone 6 cold light conversion set up for 35 mm. I've 
used it for 6 x 6 medium format as well.

An El-Nikkor 50/2.8 enlarging lens, which is perfect for 35mm

An Omega automatic timer

A safelight.

Some trays, including large ones for 16 x 20 prints.

Two paper holders, including a massive one for 16 x 20 prints.


If I don't hear from anyone by Monday, I'm going to see if any of the local 
schools want it.


Paul
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