----- Original Message -----
From: Shel Belinkoff
Subject: The Componon Look


> Hi Bill,
>
> Are you able to differentiate the look you get with a Componon
and other
> lenses, or are you just saying that you like the look you get
with the
> Componon?  With which lenses have you compared the Comp', and
in what
> ways is the look different?  Are you referring only to 4x5
format, or
> other formats as well?

I've been trying to figure out an answer to this since
yesterday.

My comparison is printing 6x7 negatives on the big enlarger,
using the Componon 150mm, and the Fuji and Rodenstock 90mm
lenses. Obviously, there are already some differences.
The Componon seems to give better tonality than the Rodenstock
or Fujinon. I get the same tonal range, but I get a much softer
palette of tonality with the Componon,  I suppose I am getting
greater image depth with the Componon.
Detail is as good with all three lenses.
Also, the Componon is probably 40 years old. I am not using a
modern Componon S.

William Robb
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