> 
> > sure, if you think making money out of shit is the be-all and end-
> all,
> > but his work is still shit and it will always be dismissed as shit by
> > people who know shit from shinola.
> >
> > B
> 
> Bob,
> 
> You and I both work in IT and myself specifically in software
> development. You don't think we've made money out of shit/shinola?
> 
> I frequently think that if I could get paid the same to shovel manure
> in horse stables, I'd rather shovel manure. Because I'm basically just
> shoveling a different kind of manure every day, and it's far more
> stressful than horse-shit.

Shovelling manure in a stable is an honest, decent job not to be looked down
on, and I expect it has its own share of stress. The family who lived in my
house in 1901 made their living working in the London Transport stables.
Working in IT is also an honest, decent job, by and large, even if we only
do it to make a living and a profit for some fat cat somewhere.

Making money by dishonestly peddling shit as if it were something better is
not an honourable, decent job, it's taking advantage of people. Paintings
such as Thomas Kinkade's are shit glorified by his marketers and advertising
men, who are the worst kind of pimps because they push the idea that it is
on a par with work by people like Constable, or Jackson Pollock or even
Stephen Shore, and that it's just snobbery and prejudice that makes people
like me look down on it. 

This is like telling people that Sunny Delight is as good as Puligny
Montrachet. It isn't. It appeals to the undeveloped taste of children.
Children have an excuse, but eventually they should grow up, educate their
tastes and stop liking stuff just because it tastes sugary and sparkles
brightly. Their lives will be massively richer for it. Liking Thomas
Kinkade's work is arrested development.

B


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