Bob W wrote:

>> >> So, the "Painter of Light" (tm) has passed at the early age of 54
>> >> years. The Kenny G of painting is gone...
>> >
>> > He may not have been too fast to live, but 54 is too young to die.
>> I'm
>> > 54. I shall be mightily pissed off if I don't live well well beyond
>> 90.
>> >
>> > I love this phrase from the article someone linked to "it has become
>> > fashionable for art critics to dismiss his pieces."
>> >
>> > "It has become fashionable" - as if it was a mere passing fad among
>> > the ignoranti, and the true artistic value of this oeuvre will come
>> to
>> > be understood with the passing of the years.
>> 
>> Hi work was conceptually trite and formulaic in execution, but he was
>> not without talent. Of course his main talent was marketing:  he
>> discovered a way to turn painting into a very lucrative enterprise. For
>> that, he is to be commended.
>
>sure, if you think making money out of shit is the be-all and end-all, but
>his work is still shit and it will always be dismissed as shit by people who
>know shit from shinola.

He turned painting into a *commodity*.

A friend of mine at the George Eastman House often complains about
Ansel Adams, not over his photography, which she likes, but because
she says he was "a shameless self-promoter". My view is that his
self-promotion played a large role in getting photography accepted as
an art form by the general public (there are plenty of
non-photographers who couldn't name any famous photographer aside form
Ansel Adams). For this all photographers - in all genres - owe AA a
great debt. But Kinkade did exactly the *opposite* for painting.
 
-- 
Mark Roberts - Photography & Multimedia
www.robertstech.com





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