> When I went from Nikkormat to OM-1 to ME-Super to LX to PZ-1p to
LX to MZ-S, I never got an increase in MP for my money. But I bought
anyway because I did get an increase in metering reliability,
improvements in focusing, ease of handling, etc. I don't know off hand
how many MP my K20D has, but I would not hesitate to buy a newer model
with the same MP if I could get better low-light performance,
particularly WRT AF.
>
> I take the general point you and others are making: many/most purchasers 
> don't know what they are doing, and they will be overly impressed by whatever 
> facts and figures the advertisers and sales persons are throwing out. But the 
> MP arms race will peak soon, if it hasn't already.
>
> stan

You likely did get some increase in resolution though because film
quality continued to improve throughout its history. Of course the big
jump was to go to a larger format.

When I got my first SLR, an MX, and got more serious about
photography, as opposed to just taking pictures, I studied the yearly
film catalog/magazines that rated and listed the specs of each kind of
film. That's what led me to the $7 and $8 rolls of Velvia, Provia and
Reala, and away from the grocery store variety films. It was also
apparent (and suspicious) that Kodak refused to rate their films using
the same system as all other mfrs., so not being able to compare
apples to apples, I moved away from Kodak, for the most part.

In many respects we've benefited from the digital camera treadmill.
Assuming Pentax does come out with a 24MP body that satisfies in other
important ways, a person upgrading from a 6MP *ist D to that would
have a 4X increase in base resolution. Even jumping from 14MP to 24MP
is close to 2X. It's like jumping to a larger film format.

I'm not sure when it'll peak. I sense, like you, that as far as APS-C
goes, it's close to the limit. But then again...

Tom C.

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