Mark - both of those are good ideas. When I get back from class I'm going to try using Lightroom's adjustment brush to change the white balance in the two areas. I'll also see what a B&W looks like.
Thanks, gs George Sinos -------------------- gsi...@gmail.com www.georgesphotos.net plus.georgesinos.com On Fri, Jun 8, 2012 at 12:37 PM, Mark Roberts <postmas...@robertstech.com> wrote: > George Sinos wrote: > >>This is number 11 in the series "Print-a-Day for 30 Days." >> >><http://georges.posterous.com/into-the-light-print-a-day-11> >> >>I was in the process of taking this photo, without the woman, as an >>example of leading lines. The woman just happened to be walking >>through the park (and through my photo.) Even though it wasn't >>planned, I prefer this version. >> >>I picked this photo for the printing project specifically because of >>the difference between the highlights and shadows. There is detail in >>both extremes. > > Fascinating composition. Thecolor balance difference between the shade > and sunlit areas makes it look odd and there's no way to correct one > without messing up the other (I speak from experience). > > Why not try a B&W rendering? Could be interesting. > > -- > Mark Roberts - Photography & Multimedia > www.robertstech.com > > > > > > -- > PDML Pentax-Discuss Mail List > PDML@pdml.net > http://pdml.net/mailman/listinfo/pdml_pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above and follow > the directions. -- PDML Pentax-Discuss Mail List PDML@pdml.net http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
