I remember that a huge minus for Sigma's first dSLR was that it only shot raw. 
Today, I would not think twice about shooting raw unless the writing speed was 
absurd (as in the Ricoh p&s). 

Today, I only shoot raw. But I'm not shooting sports!

Sent from my iPad

Jeffery L. Smith
New Orleans, Louisiana
USA

On Jun 19, 2012, at 20:45, "John Coyle" <[email protected]> wrote:

> Hmm - I do actually shoot raw most of the time Bruce - only use jpeg when I'm 
> looking for fast response , as in kids running around.
> I should also have said that, with a good lens, I have printed unprocessed 
> jpeg's up to A4 with satisfactory results, so I am a lot unimpressed with 
> the, at one time, constant refrain that Pentax jpeg's were too soft.
> 
> 
> John Coyle
> Brisbane, Australia
> 
> 
> 
> 
> -----Original Message-----
> From: [email protected] [mailto:[email protected]] On Behalf Of Bruce 
> Walker
> Sent: Monday, 18 June 2012 9:45 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Question About *ist D
> 
> Not a given at all, John.
> 
> From all I've read folks generally expect JPEG shots to be basically cooked 
> and ready to serve. A smaller percentage of JPEG shooters will crop and maybe 
> do some basic exposure tweaks, but the majority of JPEG adherents expect the 
> camera to have done everything, like sharpening and saturation.
> 
> If you shoot assuming that the shot will need further processing you are 
> doing yourself a disservice by shooting JPEG and you should be using RAW. 
> Otherwise you are not only trying to undo what the camera has already done to 
> the image, but you will have thrown away precious dynamic range too.
> 
> 
> On Mon, Jun 18, 2012 at 4:09 AM, John Coyle <[email protected]> wrote:
>> I use the middle settings for saturation, sharpness and contrast, and 
>> have never had an issue with the jpeg's.  In processing, I find that 
>> using Unsharp Mask at 50-70%,  radius 1 and threshold 0 works well for 
>> prints up to A4 (the biggest I've gone with digital uncropped).
>> I don't know why people would criticize an unprocessed jpeg in the 
>> first place, it's surely a given that it needs to be worked with?
>> 
>> John Coyle
>> Brisbane, Australia
>> 
>> 
>> 
>> 
>> -----Original Message-----
>> From: [email protected] [mailto:[email protected]] On Behalf 
>> Of Joseph Tainter
>> Sent: Monday, 18 June 2012 3:28 AM
>> To: [email protected]
>> Subject: Question About *ist D
>> 
>> I am about to sell my long-unused *ist D to a colleague, for whom it 
>> is all the camera she needs. She will probably shoot JPEGs. I always 
>> use PEF, and recall that *ist D JPEGs were criticized for being soft 
>> and lacking contrast. I would like to set the camera so that she'll be 
>> satisfied with the images.
>> 
>> Does anyone recall what in-camera settings to use for sharpness and 
>> brilliance for this camera?
>> 
>> Thanks,
>> 
>> Joe
>> 
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> 
> --
> -bmw
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