On Sat, Sep 8, 2012 at 2:07 PM, Bob W <[email protected]> wrote:
>
> 'Comes to the fore' in the way I meant it is not about commercial success
> but about recognition. Some of the works that are now recognised as among
> the best in their field were never commercial successes. What they
> benefitted from was publication by people and organisations who did not
> expect to turn a profit on everything, but who used the commercially
> successful to subsidise the good, when they did not coincidence, and
> exposure to people who were in a position to promote the stuff on the
> grounds of its quality.
>
> With the democratisation of publishing, the difficulty that writers and
> photographers will have is to find a way of getting the right exposure to
> the right people. People are not going to look at a great many places in
> search of good work, so the outlets will coalesce around a few sites for
> each audience - there will be a huge proliferation of overlapping audiences
> - and somebody will curate each site.

When "everyone is an artist", everyone is also a part time curator.
Nobody has the time or patience to do a thorough and skilled job of
it, so we skim and burn our eyes on a lot of toxic sludge.

But there are examples of non-profit curated sources with some skill
and class that are attracting increased attention. Not to everyone's
taste, but http://thisisnthappiness.com/ is one of my consistent
faves. The Tumblr site encourages amateur curating, and some folks
exhibit excellent taste there.

Perhaps we'll be saved by self-financed patrons and philanthropists.

-- 
-bmw

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