On Sep 16, 2012, at 7:39 AM, Bruce Walker wrote:

> Larry: extremely apropos of this convo, read this Strobist article:
> 
> http://strobist.blogspot.ca/2012/09/friday-night-lights.html
> 
> David tapes a strobe to his tele and shoots nighttime sports. Perfect.

excellent!

Speaking of strobes...

I was the official photographer for this year's San Francisco Lindy Exchange.  
In short the swing dancer community in SF invited Swing dancers from all over 
the world to SF for a weekend of dancing and camaraderie.  Also, some amazing 
music: Kim Nalley, Gordon Webster, Barbara Morrison and FIl Lorenz.

I shot mostly ambient light.  At one point this evening there was a special 
dance to thank all of the volunteers who helped out.  Lots of people, dancing 
fast, in low light, with the band brightly lit in the background.  I shot from 
the mezzanine, and pulled out my AF 540 because that was the only way that I 
really had any chance of getting decent shots, and was reminded once again of 
what a festering piece of unrepentant shit that flash is.  

This flash has already been to Pentax several times for repairs.  Both for a 
busted mount, and for exactly these problems.  The mount has theoretically been 
fixed, but the flash has continued to have the same problems on my K100, K20, 
K-x and K-5.  If you lob it an easy serve, in simple lighting when what you 
need is automatic exposure, and there is nothing to confuse anything, it can do 
an awesome job. It's got a lot of power.  And when the metering works, 
especially for fill, particularly when it needs a lot of fill, it does great.

But tonight, with the bright lights on the band in the background, in P-TTL it 
would not flash bright enough to effectively illuminate the dancers. I set it 
to manual, or tried.  It wouldn't go into manual.  I took the flash off, put it 
on. Turned it off, turned it back on. It would go into manual, until I did 
something audacious like touch the shutter, at which point it would to into 
P-TTL.  Some times it would seem to stay in manual, but it wouldn't make any 
difference. So I'd boost the sensitivity up a stop.  No difference.  I'd boost 
it again.  No difference.  I'd boost it again, and now everything in the frame 
is over exposed by four stops, or more.

I'd really think that the one thing that a flash would be able to do right is 
work in manual mode.  It's about the easiest possible thing. It doesn't need to 
talk to the camera, except to fire when the camera says, and to spew as many 
photons as you tell it to.  The fact that the flagship Pentax flash can't even 
get this simple thing right is  unconscionable.  And if, by some chance, my 
flash is an anomaly, and every other AF540 on the planet works perfectly, the 
fact that Pentax repair couldn't fix it after three or four tries is surpassed 
only by the fact that they've had three or four tries in which to get it right.

I love their cameras, but if you value your money, your patience, or 
maintaining a good mood when taking pictures, don't spend a single dollar on 
Pentax strobes.

> 
> 
> On Mon, Sep 10, 2012 at 7:06 PM, Larry Colen <[email protected]> wrote:
>> 
>> On Sep 10, 2012, at 3:47 PM, Bruce Walker wrote:
>> 
>>> On your musician idea: if you are shooting them any further than a
>>> couple of feet away, by the point that the light reaches them you'll
>>> hardly be able to tell the difference between light from a macro ring
>>> flash and a regular hammerhead flash, except that the ring flash has a
>>> puny light output in comparison.
>> 
>> The main advantage is that it stays pointing exactly where the lens is
>> pointing.
>> 
>>> Just put various light modifiers,
>>> lenses, grids, etc. on a AF360 or AF540 (or Vivitar) and you'll get a
>>> light almost indistinguishable from a macro ring flash at that
>>> distance.
> [...]
> 
> --
> -bmw
> 
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--
Larry Colen [email protected] sent from i4est





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