On Tue, Feb 5, 2013 at 12:11 AM, David Savage <[email protected]> wrote:
> Basically I've notice that the "aperture" sweet spot is even more
> critical at such a high MP count.
>
> When I migrated to Nikon I bought their best lenses (the holy trinity
> 14-24, 24-70, 780-200, ptus their 50 f1.4 & 85 f1.4).
>
> On the D700 I never really had any image quality issues with them.
> Those same lenses on the D800 are noticeably softer away from their
> respective "sweet spots". f5.6 - soft, f8 - shaper, f11 sweet, f16 -
> softer...

Humm, wonder if that why iwas having soft issues with my D200 shooting
jpeg, sharpeness increased when shooting Raw.

Dave
>
> Also the high resolution shows up flaws in your hand holding
> technique. The old rule of thumb of shutter speed being the inverse of
> the focal length doesn't really work any more. Double it to be sure,
> or use a tripod.

Good to know
>
> The D800/D800E manual came with a series of instructions on how to
> maintain sharpness & detail.
>
> DS
>
> On 04/02/2013, Bob Sullivan <[email protected]> wrote:
>> Dave,
>> How about giving us some more personal insights on 'diffraction issues
>> with most lenses.'
>> I'd like to know so I could get out in front of that issue.
>> Regards,  Bob S.
>>
>> On Sun, Feb 3, 2013 at 12:43 AM, David Savage <[email protected]> wrote:
>>> And loving it!
>>>
>>> ...except for the diffraction issues with most lenses...
>>>
>>> On 3 February 2013 12:30, Boris Liberman <[email protected]> wrote:
>>>> Poor Nikonians. Their flagship has twice as many pixels and then some
>>>> :-).
>>>>
>>>> On 2/1/2013 10:08 PM, Charles Robinson wrote:
>>>>>
>>>>> Each RAW file is now larger than the first harddrive I ever owned.
>>>>>
>>>>> Nothing to be done for that, is there?  I'm shooting DNG which I believe
>>>>> I
>>>>> heard is already stored in a semi-compressed state.
>>>>>
>>>>>   -Charles
>>>>>
>>>>> --
>>>>> Charles Robinson - [email protected]
>>>>> Minneapolis, MN
>>>>> http://charles.robinsontwins.org
>>>>> http://www.facebook.com/charles.robinson
>>>>>
>>>>>
>>>>
>>>>
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