On Sep 15, 2013, at 12:03 PM, Steve Cottrell <[email protected]> wrote:

> In truth, I would love the FX 14mm but can't spend the money right now.
> I can afford a used EX-1 and I have the A*85/1.4 sitting in my bag. I
> tend to use that lens wide open, so the X-E1 would seem to provide a
> suitable platform on which to receive the photons.
> 
> Similarly, the 17/4 is a wacky, weird and wonderful lens (anyone here
> ever used one? it is so much fun) and again, would find use on the X-E1.
> 
> When I can afford the 14mm then I've got AF and all the delights that
> brings. Matched up with an X100s, it would be a lovely combination of
> hardware.

Quality lenses are complex things. While I'm quite certain from personal 
experience using them that, overall, the lenses designed for a particular 
camera system generally work best on that camera system, when you get to really 
good lenses the distinctions become rather more subtle than that. I ran around 
with the Olympus E-1 fitted with my Leica Summicron-R 50mm f/2 a couple of 
weekends ago ... it produced beautiful results, quite different from what the 
(also superb) ZD 50mm f/2 Macro produces. 

For me, there's a place for all of this stuff. 

I had one of the Pentax 17/4 lenses a while back, adapting it to the Panasonic 
G1. The combination produced some very interesting photographs, a couple of 
which won some exhibition awards. It's not so fish eye on the smaller and more 
square FourThirds format, though: it will likely be more entertaining on APS-C 
due to the more oblong format proportion. 

G
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